Everything Old Is New Again

Of course, 2004 wasn't just about Brian Bendis. It was also the year of optimistic relaunches:


3rd time out for Alpha Flight, and a return to Marvel for 90s X-writer, Scott Lobdell. A humorous spin on the Canadian superteam, this lasted all of a dozen issues, and most of the team were subsequently exterminated, in order to establish the badass credentials of the latest Avengers foe. As for Cable and Deadpool, this was was a buddy book, written by Lobdell's former partner in X-crime, Fabian Nicieza, and, for the first few issues, even featured covers by Rob Liefeld, who'd brought Cable and Deadpool to comics in the first place.


Keith Giffen, J.M DeMatteis, and Kevin Maguire had made comedy names for themselves with a relaunch of the Justice League at DC Comics, in 1987. 17 years on, they decided to have a crack at the Defenders, applying similar comedic principles to the title. Meanwhile, J. Michael Straczynski decided to have a crack at making Dr Strange popular again, mostly by retelling his origin. Neither limited series did much for the ongoing popularity of their cast, but neither did a great deal of harm either.


On the other hand, these two books did no good at all for anyone. Chris Claremont launched a new Excalibur book, not related to the previous team book, but instead starring Professor X and Magneto, mostly so that Claremont could retcon the evil Magneto who had been showing up in Grant Morrison's New X-Men. There followed a great deal of to-ing and fro-ing between Morrison fans and critics, none of which made Excalibur a good book. Still, compared to James Mullaney's brief revival of Iron Fist, a book so bad that, despite being the biggest fan in the world of Danny Rand, I have been unable to reread, Excalibur was a classic.


Dan Slott made his first venture into the Marvel Universe with a new She-Hulk book, in which Shulkie joins a law firm and engages in all sorts of superhero litigation. Imagine Boston Legal with super-types. In one form or another, this book was still going until quite recently. Meanwhile, having killed off the original Thunderbolts concept, and replaced it with a supervillain wrestling book, Marvel persuaded series originator Kurt Busiek to come back one more time. The relaunch lasted until Warren Ellis came along and kicked out the existing team, in the midst of 2006's Civil War, to my somewhat dissatisfaction.

Yeah, on the whole, actual ideas were pretty much on the way out over at the House of Ideas that year.

In The Interest Of Balance

In case anyone feels I was unfair in claiming that my favourite book of the past 12 years was also the most important debut of 1997, here's a quick rundown of the other continuing books which had their debut in that year...


Steve Seagle was tapped to bring back Alpha Flight, a book that had limped along for a decade before being put to sleep in 1994. Mostly a conspiracy book, with Alpha working for the sinister forces of Department H, the book lasted 20 issues before dying off again.


A bit player in the X-Books since the early 90s, Maverick was given his own book, so that those who wanted to read the adventures of a mutant spy with a terminal disease, could do so. Since it lasted all of a dozen issues, I'm guessing Marvel overestimated the popularity of the character.


If T-Bolts was my favourite book of 1997, Heroes For Hire came a close second at times. Obstensibly a reunion for Power Man and Iron Fist, this book, devised by Roger Stern and delivered by John Ostrander, felt at times more like a reboot of the Defenders. The heroes didn't do a lot of work for hire, and there was that rotating team that Defenders fans were so familiar with. Unfortunately, although it was a good concept, it didn't catch on, and was canned after 19 issues.


Never one to let an old idea die, Marvel have resurrected MTU a few times now, but this was the first attempt, itself spinning out of a quarterly Spider-Man Team-Up book. Written by Tom Peyer, who's mostly worked for DC over the years, this was another one which barely made a dozen issues.


Another book from Peyer, Quicksilver featured the mutant speedster in one of his more heroic moments, working for the High Evolutionary and fighting against such foes as Maximus the Mad and Exodus, and was axed after 13 issues, after a team-up with the equally doomed Heroes For Hire.


Having been turfed off Captain America in the Heroes Reborn event, Mark Waid could have had his pick of characters to write. Bizarrely, he chose Ka-Zar, a second-stringer since 1965, and who, despite Waid's best efforts, would remain a second-stringer well after the 20 issues of this title.


Yeah, ok, you got me. They can't all be losers, and by any definition, Deadpool's been a big success, to the extent that, as of 2009, he stars in two ongoing titles, and he's probably the second most overexposed mutant out there. But in 1997, no-one really expected Joe Kelly's stab at an ongoing book for the Merc-With-A-Mouth to make it big. And, to be honest, I'm still astonished at the longevity of what is basically a one-dimensional character. Go figure.

So there you go. Seven books launched in the same year as Thunderbolts, of which one can be classed as a success. T-Bolts doesn't seem so lame now, does it?

My First Comics

I may never know which Borders comics fan's mum decided to turf out his November and December-dated Marvel comics, but it was my good fortune that, rather than binning them, she instead donated them to one of the stalls at the Liberal Party's pre-Christmas Bazaar. At the event, where I was dragged by my mum and dad, not only did I get to meet the impressively-statured Cyril Smith, I was confronted with a selection of comics of which, until then, I was sadly unaware.


Alpha Flight #4 & #5 (both by John Byrne)
Alpha Flight #4 featured the tail end of a multi-parter in which the so-called Master of the World attempted to conquer the world, using Marrina the Fish-Girl. It also featured the Invisible Girl and Sub-Mariner, and introduced the idea of Aurora's multiple personality disorder. Issue #5 featured the dwarf, Puck, investigating a drug-smuggling ring based out of a hospital. For a comic featuring only one character I'd even heard of, Alpha Flight had me hooked from the start.


Fantastic Four #260 & #261 (both also by John Byrne)
FF #260 introduced me to the FF's nemesis, Doctor Doom (I may have been aware of him from things like the Spider-Man cartoons, but it would be a very vague awareness), and, before the end of the issue, had killed him off, in a battle between the Silver Surfer and Tyros. This was also the end of a multi-parter, but was also reasonably straightforward to fathom. Alpha Flight #4 was set immediately between #260 and #261, introducing me to the idea of crossovers between titles. #261 had the FF off in space, bumping into the Watcher, and had the team trying to justify not having let Galactus die in an earlier issue. This was a bit of a mystery, but by the end of the book, I pretty much understood what it was all about. The issue also featured a recap of the FF's origin, which was handy for newbies like me.


Amazing Spider-Man #246 & #247 (by Roger Stern and John Romita Jr)
ASM #246 was, essentially, an imaginary story, in which J. Jonah Jameson, Mary Jane Watson, the Black Cat, and Spidey himself daydreamed about their perfect day. Oddly, whilst Jameson and the Cat's dreams ended well, neither Mary Jane or Peter Parker were able to sustain their delusion, suggesting that both have some psychological issues to deal with. #247 featured Spidey teaming up with the fabulous Frog Man, a hunt for the Hobgoblin, and a mystery villain, Thunderball (of the Wrecking Crew). It would be years before I would find out who Thunderball is, and I have no idea to this day about Frog Man. The Hobgoblin was another story, of course.


Spectacular Spider-Man #84 (by Bill Manto and Dave Simons) and #85 (by Mantlo and Al Milgrom)
PPTSSM #84 featured Spidey hunting down a gang of child abductors, and was a purely self-contained story. #85, on the other hand, had the Hobgoblin show up to take on Spidey and the Black Cat. It also, handily, showed the story so far of the Hobgoblin, and featured Peter Parker having a get together with his old college friends, including Harry Osborn, which in turn introduced me to the history of the Green Goblin, which made Spider-Man's obsession with the Hobgoblin a lot more explicable.


Avengers #237 & #238 (both by Roger Stern and Al Milgrom)
Avengers #237 featured Spider-Man trying out for the team, an event alluded to in Spidey's own book, and had the Avengers fighting a whole load of supervillains in Project Pegasus. Looking back, I'm not sure why I accepted supervillains being imprisoned with their costumes on, but it's not something that gave me cause for concern at the time. Issue #238 had the Vision, in a coma due to an earlier battle, recover unexpectedly, showed the She-Hulk househunting, and featured a last-page appearance by Tigra and the ghost of Spider-Woman, the last of which confused the heck out of me.


Captain America #288 (by JM DeMatteis and Mike Zeck)
Set in the future world of 1993, this featured Cap teaming up with the cyborg, Deathlok, to take on the ruler of a destroyed New York. This was pretty much double-dutch to me at the time, and since I didn't have the next issue, it would be a long time before I'd find out how Cap stopped the imminent destruction of the world.

Daredevil #202 (by Dennis O'Neil and William Johnson)
This book had Matt Murdock's firm hired by an African tribe do do PR for their boss, Micah Synn. Micah turns out to be a nutjob, prone to dangling policemen out of windows. As a one-shot, it does a fine job of introducing DD and his significant others, and as an introduction to Micah Synn, it made me want to read more about him, which handily was what Denny O'Neil intended.


Defenders #125 (by JM DeMatteis and Don Perlin)
My first issue of Defenders featured the departure of the original team, the wedding of Patsy Walker and Daimon Hellstrom, and a new team being formed. it also featured an Elf. Much of this made little sense, but thankfully, there was a handy letters page which clarified some of what was going on.

The Thing #5 (by John Byrne and Ron Wilson)
This book had Ben Grimm getting beaten up, for no readily apparent reason, by Wonder Man, She-Hulk, and Spider-Man, before being possessed by his old foe, the Puppet Master. I didn't know at the time who the Puppet Master was, nor why he was out to get the Thing, so this was a less successful introduction to the book, but since the book was essentially an FF spin-off, it wasn't too much of a problem.


Incredible Hulk #289 (by Bill Mantlo and Sal Buscema)
The Hulk was intelligent at this point in his history, which seemed odd at the time, less so now. It had MODOK setting the Abomination to attack Bruce Banner, who was working for the government on gamma ray research - which with hindsight seems less logical than the Hulk's intelligence. Mostly the issue involved Hulk beating up the Abomination, which for a Hulk book is pretty much what you'd expect.

Marvel Team-Up #135 (by Bill Mantlo, again, and Ron Frenz)
This issue featured Kitty Pryde (note the lack of codename) rescuing some kidnapped children from the Morlock tunnels, with the help of Spider-Man. I didn't know who the Morlocks were at the time, and I'm not sure why they were kidnapping people, but it was a decent enough tale, at the time.


The Mighty Thor #337 (by Walt Simonson)
This was a flummoxer. Thor lost his powers, whilst an alien invader gets them. Nick Fury turns up, with little explanation of who he is and why he has a flying car and a helicarrier. And out in space, someone is forging something big. Now, having read the succeeding two years worth of issues, I know this is a classic, but at the time, it was not a good first issue. Not at all.

Uncanny X-Men #175 (by Chris Claremont, Paul Smith and John Romita Jr)
Speaking of confusing first issues, this issue features the wedding of Cyclops and Madelyne Pryor, the return of Dark Phoenix, and Mastermind looking for revenge against the team for what Phoenix had done to him. Confusing stuff, but with enough exposition (this was a Claremont book) to make it explicable.

So there you have it. My first 18 Marvel books. Some classics, and some, less than classic, but enough to get an 11 year-old me hooked on the things, if not for life, then at least for the forseeable future. To my bank manager's horror.

70 Years of Marvel - 1981

By 1981, Rom was firmly entrenched in the Marvel Universe, taking on such heavyweights as the Mad Thinker, Jack of Hearts, and, above, the Space Phantom. Rom, here to stop an invasion by the dreadful Dire Wraiths, would himself turn up as a guest star in pretty much every title at some point before his book was wound up, presumably as part of Marvel's plan to trim its booklist in preparation for the launch of the New Universe, of which we'll hear more later.

1981 also saw the debut of Elektra, ninja assassin and agent of the Kingpin, who would go on to become Daredevil's lover, before being killed and resurrected about a hundred times over the next 30 years. It also saw the demonic Gargoyle joining the Defenders. X-Man to be and daughter of Banshee, Theresa Cassidy, made her first appearance, battling Spider-Woman, whilst future Avenger, Firebird, turned up to fight the Hulk alongside the wild-west Rangers. And in the X-Men, Caliban turned up, heralding the first appearance of the Morlocks.

In the world beyond comics, 1981 saw the inauguration of Ronald Reagan as US President. The Space Shuttle Columbia took its first trip into space. Britain was entranced by the excitement of a Royal Wedding. And the Yorkshire Ripper went to jail. For ever, one hopes.

At the pictures, Indiana Jones was raiding the lost ark, whilst over in Britain, Vangelis was scoring Chariots of Fire. On tv, Dynasty was attempting to cash in on the Dallas phenomenon, and Only Fools And Horses, the most overrated show on tv, began its 900 year run.

70 Years of Marvel - 1976

In 1976, the Defenders were the antidote to superhero comics. Steve Gerber had taken over the book a year or so back, and what had been just another team book rapidly became something else, with bodyswaps, self-help gurus, possessed deer, and the Hulk dressed as a clown. And all that , just in the issue above! These weren't your dad's comic books.

In the same year, Captain Britain was making his debut, in the pages of his own Marvel UK title. Richard Ryder was gaining the power of Nova. The Shroud was turning up for the first time, in the pages of Super-Villain Team-Up. In the X-Men, Jean Grey was transforming into the Phoenix. Third-string super hero, Jack of Hearts, was appearing in the pages of Deadly Hands of Kung Fu. And, with Kirby back at Marvel, he was taking over the reigns at Captain America, adapting the 2001: A Space Odyssey movie, as well as launching a new team of god-like beings, the Eternals.

In the real world, 1976 saw Jim Callaghan become British PM, Jimmy Carter become American President, and Chairman Mao dead.

On television, children were watching Rentaghost and Multi-Coloured Swap Shop, whilst the grown-ups were watching Reginald Perrin and I, Claudius. Sylvester Stallone was making a name for himself as Rocky Balboa. And vampire literature got a boost, with the publication of Interview With The Vampire, introducing the "vampire rock star" subgenre of horror fiction.

10 Second-Stringers

Following up on yesterday's post, I thought it'd be nice to take a closer look at these guys, a posse of criminally underexposed characters introduced in 1974, who, if not for the cult of Wolverine, might well be far more respected in comics circles. Or they might not. You judge...


Nuklo was the son of a couple of golden age heroes, and briefly, the brother of Quicksilver and the Scarlet Witch. Created by Roy Thomas in the pages of Giant-Size Avengers, Nuklo, unfortunately, possessed the power of being highly radioactive, which probably scuppered his chances of joining any of the big-name teams. So naturally, he ended up appearing in the pages of Thunderbolts later on.


Created by Jim Starlin and Steve Englehart, Nitro's proved one of the more successful of the class of 1974. Not only was he indirectly responsible for the death of Captain Marvel, who died as a result of an illness contracted during this very issue, but, depending on your viewpoint, he was either indirectly or directly to blame for the disaster which led to Marvel's Civil War a couple of years back.

No, your eyes are not deceiving you, unfortunately. That really is a man dressed up as a giant chicken. To be fair, he is a voodoo priest, so a chicken costume is not entirely inappropriate, but I'm not sure most comics readers are discerning enough to take that look seriously. Time remains to tell whether Black Talon ( a creation of Len Wein and Gene Colan) will once again show up as a foe of Brother Voodoo, now that he's the Sorcerer Supreme.


Oh, my... Mid-70s Marvel was many things, but subtle it wasn't. Mahkizmo, the Nuclear Man, came from an alternative future world where men enslaved women, a world at war with another alternative world, this one the female-dominated world of Thundra. Created by Gerry Conway and Rich Buckler, Mahkizmo disappeared after his first appearance, only resurfacing when She-Hulk author John Byrne was looking for some bottom of the barrel villain to make fun of.


OK, so they can't all be winners. Marv Wolfman and George Tuska brought the Piranha into the pages of Sub-Mariner, as they were beginning to seriously run out of good ideas. Originally, a real piranha fish, this chap was mutated by radiation during one of Subby's many battles, and, rather than count his blessings, Piranha decided to hunt down Namor. Other than a couple of guest shots in the Defenders, alongside other fish-based foes, he's never been seen since. Good.


And talking of the Defenders, here's Nebulon. Introduced by Len Wein and Sal Buscema, Nebulon made a couple of half-hearted efforts to conquer the Earth, before vanishing into the mists of time.

Luke Cage had some wacky bad guys in the early days of his title. Created by Len Wein (him again) and George Tuska (and him again), Cottonmouth was a drug-dealer with ambition, a taste for snake skin shoes, and, when the occasion demanded, a bazooka. Like so many other animal-themed characters, he seems to have been a one-shot character, with his name being pinched later by a member of the Serpent Society.


From the mailbox: "It had to happen. Marvel was first among comics publishers to feature black superheroes - and villains. Marvel was first to recognise the women's movement in comics with characters like the Black Widow. And now, in this issue of STRANGE TALES, we're proud to introduce the comics' first Jewish monster-hero. Needless to say, we're looking forward to your reactions[]. So ... grab a sheet of paper or a post card or last week's leftover bagel and WRITE!!" I think you can guess how filled-to-the-brim the Mighty Marvel Mailbag was that week. Brought to the world by Len Wein (it's that man again) and John Buscema, the Golem lasted all of three months, before vanishing for the rest of the century.


Jeez, Len Wein gets about, doesn't he? Equinox, a curious blend of the power of fire and ice, turned up a few times in the pages of Marvel Team-Up, and even showed up a couple of years ago during the Secret Invasion, but despite having one of the more interesting visual looks of the era, never really seems to have found his groove.


Brought to us courtesy of Gerry Conway and Ross Andru, Grizzly must be the character who must resents the ol' Canucklehead. I mean, look at the guy. With that surly attitude, coupled with the ridiculous costume, he must have reckoned he had at least as good a chance as Wolverine of making the big time. If not for a quirk of fate, Grizzly could have found himself on the cover of Giant-Sized X-Men #1, and we might now be reading three or four monthly books about the exploits of the world's favourite ex-wrestler. There's no justice.

So there you have. Ten of the, er, best creations of 1974 who didn't go on to become superstars. I like to think that in some parallel universe, these guys are world-famous, with legions of fans. Well, except for Piranha. That guy sucks.

70 Years of Marvel - 1971

1971 saw the start of one of Marvel's most famous sagas, the cosmos-spanning Kree-Skrull War, in which the Avengers - aided by the Kree exile, Captain Marvel, learned of a centuries-long conflict between the two most prominent alien races in the Marvel Universe, and, in their efforts to avoid Earth being devastated by the war, found themselves being drawn deeply into it. On the way, Roy Thomas got to bring back (albeit briefly) a number of golden age heroes:


Clockwise, from Captain America, we have the Fin, the Human Torch, the Angel, the Blazing Skull, perpetual sidekick Rick Jones, the Patriot, the original Vision, and of course the Sub-Mariner, all serving as a reminder of the glorious (by this time 32 year) history of the Marvel Universe.

Elsewhere in comics, 1971 saw the introduction of super-psychiatriast, Doc Samson, who would spend the next few years hunting the Hulk. It would also see Spider-Man briefly transformed into a literal man-spider, and the debut of the not-quite-a-vampire, Morbius and the not-quite-Swamp-Thing, Man-Thing, as Marvel chanced their arm to see what the Comics Code Authority would allow. But possibly most earth-shattering of all, 1971 saw the arrival of the world's greatest non-team, the Defenders, as the Hulk teamed up with the Sub-Mariner and Dr Strange to face Yandroth's greatest challenge: the Omegatron! Ooh, scary!

In the real 1971, Britain dropped the old pounds-shilling-pence system, in favour of something which people could actually understand. The World Trade Center, then the tallest building in the world, was completed. The UK government launched Operation Demetrius, interring people suspected of being members of the IRA. And DB Cooper became a legend.

Entertainment-wise, one could pick from buying Led Zeppelin IV, reading The Day of the Jackal, watching The Two Ronnies on the telly, or, if one was quick, catch A Clockwork Orange at the pictures.

70 Years of Marvel - 1956

Patsy Walker has been around since 1944, and began as an attempt by Timely-Marvel to copy the success of their Millie the Model title. It worked: Patsy had her own book well into the 60s, through the whole Atlas era and into the Silver Age of superheroes. She clearly had her own fan base in the 60s Marvel bullpen, as Lee and Kirby gave her a cameo appearance at the wedding of Reed Richards and the Invisible Girl.

Even after her own book ended, she wasn't finished, as Steve Englehart brought her, and her husband, back, as guest stars in his run on Amazing Adventures in 1972.


A couple of years later, Englehart reintroduced Patsy, having her help out the Avengers against her soon-to-be-ex-husband and his employers. Along the way, Patsy somehow gained a costumed identity.

A couple of years after that, Gerry Conway, in pretty much his last act as writer of the Defenders, would bring Patsy / Hellcat to the team, where she would spend the remainder of the 70s and half of the 80s, before leaving the team to settle down with her new husband, Daimon Hellstrom, the Son of Satan.


Patsy and Daimon languished in obscurity together, until 1993, when Hellstorm got his own book (it was the 90s, pretty much everyone in the Marvel Universe had their own book. I'm surprised Irving Forbush didn't have his own book). Fans of Patsy would probably be disappointed by her first appearance in Hellstorm...


Then later, Warren Ellis got hold of the book. And killed her off.


But this being comics, even that didn't stop the Powers-What-Be from using the character. Firstly, she was rescued from hell by the Thunderbolts.


And then, courtesy of long-time fan, Steve Englehart (it's that man again!), she got her own book again, albeit briefly.

And now, in 2009, in these days of Civil Wars and Secret Invasions, when everything's grim and gritty, and just when you think Patsy has nothing to offer anymore, she's back in a thinly-veiled "homage" to Sex and the City.

Honesty, whatever next?

Anyway, elsewhere in the real world in 1956, the people of Europe were thrilling to the first Eurovision Contest. Sadly, no Terry Wogan. Two planes collided in mid-air above the Grand Canyon, Egypt nationalised the Suez Canal, and frogman "Buster" Crabb vanished in Portsmouth harbour, sparking a flurry of conspiracy theories.

In the world of entertainment, Elvis was staying at the Heartbreak Hotel, Invasion of the Body Snatchers was on at the pictures, David Niven was going Around the World in 80 Days, and musical fans could go see The King And I with Yul Brynner. But only if he wasn't busy. Boom boom.

On the small screen, Tony Hancock was making the move from radio to telly, and Hughie Green was introducing Opportunity Knocks, without which we might well be spared half the tripe on Saturday night tv. At the library, one could pick up a copy of Gerald Durrell's My Family and Other Animals, whilst theatre-goers could see a very young Alan Bates starring in Look Back in Anger. Something for everyone there, I'm sure you'll agree.