70 Years of Marvel - 2002

2002 was the year of MAX Comics. OK, technically, that's not true. The first MAX comics were launched the previous year, but 2002 saw Marvel's 18-certificate comics line get well and truly established, to the consternation of the internet (and, if wikipedia is to believed, to the consternation of Stan Lee as well).

MAX Comics is probably most renowned for having introduced Jessica Jones to the Marvel Universe. Hard-bitten private eye / ex-superheroine, Jessica was the creation of Brian Bendis and Michael Gaydos, swore a lot, and shagged Luke Cage, before being watered down sufficiently to appear in the pages of Bendis' Avengers. MAX's other big creation has been the Hood, created by Brian K. Vaughan, but hijacked by Bendis to act as one of the main protagonists (read: most overused characters) of his recent Dark Reign storyline.

MAX also produced a fair amount of character revivals. Not just Luke Cage, reinvented as a non-costumed swearing machine, but also War Machine (now actually able to kill people), Nick Fury (rewritten by Garth Ennis as a burned-out Cold War veteran looking for one last war), Shang-Chi (reuniting 70s fan faves Doug Moench and Paul Gulacy), Howard the Duck (from original creator Steve Gerber), Blade (launched to cash in on the movie franchise), Black Widow (the blonde one, not the good one), Apache Skies (featuring some of Marvel's Western heroes). And that was just in 2002! The MAX line is still going, if not strong, than at least surviving, with a series featuring the 40s hero, Destroyer, recently out, and Howard Chaykin's revival of his Dominic Fortune character.

2002 also saw the release of the first issue of Kevin Smith's Daredevil / Bullseye miniseries. Optimistic people are still waiting for the release of issue 2.

In the real world, the Euro entered common currency, the US Government was setting up the Department of Homeland Security, and Britain, the US, and various allies were looking forward to invading Iraq.

In The Interest Of Balance

In case anyone feels I was unfair in claiming that my favourite book of the past 12 years was also the most important debut of 1997, here's a quick rundown of the other continuing books which had their debut in that year...


Steve Seagle was tapped to bring back Alpha Flight, a book that had limped along for a decade before being put to sleep in 1994. Mostly a conspiracy book, with Alpha working for the sinister forces of Department H, the book lasted 20 issues before dying off again.


A bit player in the X-Books since the early 90s, Maverick was given his own book, so that those who wanted to read the adventures of a mutant spy with a terminal disease, could do so. Since it lasted all of a dozen issues, I'm guessing Marvel overestimated the popularity of the character.


If T-Bolts was my favourite book of 1997, Heroes For Hire came a close second at times. Obstensibly a reunion for Power Man and Iron Fist, this book, devised by Roger Stern and delivered by John Ostrander, felt at times more like a reboot of the Defenders. The heroes didn't do a lot of work for hire, and there was that rotating team that Defenders fans were so familiar with. Unfortunately, although it was a good concept, it didn't catch on, and was canned after 19 issues.


Never one to let an old idea die, Marvel have resurrected MTU a few times now, but this was the first attempt, itself spinning out of a quarterly Spider-Man Team-Up book. Written by Tom Peyer, who's mostly worked for DC over the years, this was another one which barely made a dozen issues.


Another book from Peyer, Quicksilver featured the mutant speedster in one of his more heroic moments, working for the High Evolutionary and fighting against such foes as Maximus the Mad and Exodus, and was axed after 13 issues, after a team-up with the equally doomed Heroes For Hire.


Having been turfed off Captain America in the Heroes Reborn event, Mark Waid could have had his pick of characters to write. Bizarrely, he chose Ka-Zar, a second-stringer since 1965, and who, despite Waid's best efforts, would remain a second-stringer well after the 20 issues of this title.


Yeah, ok, you got me. They can't all be losers, and by any definition, Deadpool's been a big success, to the extent that, as of 2009, he stars in two ongoing titles, and he's probably the second most overexposed mutant out there. But in 1997, no-one really expected Joe Kelly's stab at an ongoing book for the Merc-With-A-Mouth to make it big. And, to be honest, I'm still astonished at the longevity of what is basically a one-dimensional character. Go figure.

So there you go. Seven books launched in the same year as Thunderbolts, of which one can be classed as a success. T-Bolts doesn't seem so lame now, does it?

"Expect The Unexpected!"

So, as we've previously seen, 1986 saw the introduction of Jim Shooter's New Universe line, which was, I think, the first attempt by any comics company to launch, from scratch, a whole new universe, with heroes and villains gaining their powers as a result of a mysterious "White Event". We'd later see this sort of thing, again from Jim Shooter at Valiant Comics, from the launch of Image Comics, and indeed from Marvel with the 2099 and Ultimate lines. But this was, in 1986, a relatively revolutionary idea.


One of the controversies of the New Universe was that, according to legend, Marvel wiped out a swathe of its existing titles to make way for the new books. In actual fact the only books which I can see as being canned in the months before the launch were Power Man And Iron Fist, a title which had (and I speak as a big fan of Iron Fist) seen better times; Star Wars, which had lasted several years after the release of Return of the Jedi; Doctor Who, something of a niche product (in those days); and The Thing, despatched, at least in part, so that Jim Shooter could bring Ben Grimm back into the Fantastic Four fold. Other than that, and a couple of mini-series finishing up, there wasn't much in the way of dead wood being cleared in the months up to the launch of the first New Universe books.


Famously, Shooter fell foul of Marvel's new managment team, and so his plan to hire top talent to launch his new line was thwarted: oddly, no-one who was anyone wanted to write or draw a brand new, untried-out book, especially as there was no money to pay anyone. What we ended up with was a host of books written by Marvel's editorial team, and drawn by those who really needed the work.


Star Brand
Shooter himself wrote, whilst John Romita Jr, one of the few willing volunteers for the project, drew this, a tale of an ordinary man who suddenly gains superpowers. One of the more criticized books, described as a wish fulfilment book for Shooter himself, Star Brand was nonetheless one of the more lasting concepts, being picked up in the Marvel Universe proper long after the New Universe was long gone.

Spitfire And The Troubleshooters
Gerry Conway and Herb Trimpe came up with this one, based around the adventures of a group of MIT students and their battle suit


D.P.7
Mark Gruenwald and Paul Ryan wrote the entire 32 issue run of this one, concerning a group of suddenly-superpowered folk who, rather than be cut up like lab rats, go on the run. If you're a fan of the X-Men and The Fugitive, this might be your kind of thing.

Justice
Brought to us by Archie Goodwin and Geoff Isherwood, Justice concerned the exploits of an alien who came to Earth to hunt down the evil. At least it did, until Peter David was hired to retcon Justice into a delusional government agent instead. Amazingly, this book lasted 32 issues.


Kickers, Inc.
At the same time that Tom DeFalco and Ron Frenz were building a rep for themselves as the creative team on Amazing Spider-Man, they were also working together on this book, about a team good samaritans, led by a superstrong ex-footballer. As good as it sounds, this book managed 12 issues, before being put to death, by which time DeFalco and Frenz had left the book to take on the adventures of a golden-haired Asgardian.

Mark Hazzard: Merc
Written, at first, by Peter David, and drawn, at first, by Gray Morrow, this dealt with, as you may guess, the adventures of an appropriately named mercenary. Certainly different to normal superhero fare, it was barely related to any of the other New Universe books, which may explain why it lasted only the dozen issues.


Nightmask
Another book by Archie Goodwin, with a rotating cast of artists that included future workhorses, Ron Lim and Mark Bagley, among many others. Lasting just the twelve issues, this one began with Keith Remsen, comatose since an explosion, being awoken by the White Event, and gaining the power to enter people's dreams, like the Sandman, only wearing a domino mask, for some reason.

Psi-Force
A group of telepaths on the run from American and Russian secret service agents, Psi Force was the creation of Archie Goodwin (again) and Walt Simonson, though neither of them showed up to produce an issue. Notably, this did see some very early comics work from top 90s talent, Fabien Nicieza, who wrote half of its 32 issues.


After various attempts at tinkering, including the departure of Jim Shooter, the slimming down of the books, and a couple of "event" books, the New Universe line was somewhat unceremoniously killed off in the summer of '89, its titles replaced with a swathe of new books: Quasar; a second volume of What If?; and new titles for She-Hulk, Nick Fury and Moon Knight. The age of experiment was over, and it was back to stripmining Marvel's history, for the next few years, at least.

70 Years of Marvel - 1978

What do you do when you have a pair of second-string super-heroes, neither of whom is able to support their own book? Why, you combine them into one of the finest books of the late 70s, that's what! Despite having little in common (Iron Fist is a martial artist from the fabled city of Shangri La K'un Lun, and has a habit of fighting dragons, whilst Power Man is a troubled kid from Harlem with a habit of beating up drug dealers), the two found common ground as Heroes For Hire, where in theory, they rented out their services for cash. In practice, they still spent more time fighting bad guys for good reason, rather than for money. Although their partnership was dissolved (under rather contentious circumstances) in 1986, both heroes are still big players in the Marvel U, with Luke Cage part of the Avengers, and Iron Fist's latest title limping towards cancelation. Ah well, some things never change.

In other comics news, Devil Dinosaur made his debut, courtesy of King Kirby, whilst Canadian superhero, Guardian, made his first appearance, using his original Weapon Alpha codename. In the pages of Captain America, there was a new Marvel Boy out (one patterned after the Golden Age hero), who would subsequently be known as Quasar, Protector of the Universe. Other than that, it was a pretty quiet year.

Outwith comics, Pope John Paul I became, in quick succession, head of the Catholic Church, dead, and subject to numerous conspiracy theories. In America, the Unabomber began making a name for himself. And in London, spies were killing each other with poisoned umbrellas. Whatever next.

10 Second-Stringers

Following up on yesterday's post, I thought it'd be nice to take a closer look at these guys, a posse of criminally underexposed characters introduced in 1974, who, if not for the cult of Wolverine, might well be far more respected in comics circles. Or they might not. You judge...


Nuklo was the son of a couple of golden age heroes, and briefly, the brother of Quicksilver and the Scarlet Witch. Created by Roy Thomas in the pages of Giant-Size Avengers, Nuklo, unfortunately, possessed the power of being highly radioactive, which probably scuppered his chances of joining any of the big-name teams. So naturally, he ended up appearing in the pages of Thunderbolts later on.


Created by Jim Starlin and Steve Englehart, Nitro's proved one of the more successful of the class of 1974. Not only was he indirectly responsible for the death of Captain Marvel, who died as a result of an illness contracted during this very issue, but, depending on your viewpoint, he was either indirectly or directly to blame for the disaster which led to Marvel's Civil War a couple of years back.

No, your eyes are not deceiving you, unfortunately. That really is a man dressed up as a giant chicken. To be fair, he is a voodoo priest, so a chicken costume is not entirely inappropriate, but I'm not sure most comics readers are discerning enough to take that look seriously. Time remains to tell whether Black Talon ( a creation of Len Wein and Gene Colan) will once again show up as a foe of Brother Voodoo, now that he's the Sorcerer Supreme.


Oh, my... Mid-70s Marvel was many things, but subtle it wasn't. Mahkizmo, the Nuclear Man, came from an alternative future world where men enslaved women, a world at war with another alternative world, this one the female-dominated world of Thundra. Created by Gerry Conway and Rich Buckler, Mahkizmo disappeared after his first appearance, only resurfacing when She-Hulk author John Byrne was looking for some bottom of the barrel villain to make fun of.


OK, so they can't all be winners. Marv Wolfman and George Tuska brought the Piranha into the pages of Sub-Mariner, as they were beginning to seriously run out of good ideas. Originally, a real piranha fish, this chap was mutated by radiation during one of Subby's many battles, and, rather than count his blessings, Piranha decided to hunt down Namor. Other than a couple of guest shots in the Defenders, alongside other fish-based foes, he's never been seen since. Good.


And talking of the Defenders, here's Nebulon. Introduced by Len Wein and Sal Buscema, Nebulon made a couple of half-hearted efforts to conquer the Earth, before vanishing into the mists of time.

Luke Cage had some wacky bad guys in the early days of his title. Created by Len Wein (him again) and George Tuska (and him again), Cottonmouth was a drug-dealer with ambition, a taste for snake skin shoes, and, when the occasion demanded, a bazooka. Like so many other animal-themed characters, he seems to have been a one-shot character, with his name being pinched later by a member of the Serpent Society.


From the mailbox: "It had to happen. Marvel was first among comics publishers to feature black superheroes - and villains. Marvel was first to recognise the women's movement in comics with characters like the Black Widow. And now, in this issue of STRANGE TALES, we're proud to introduce the comics' first Jewish monster-hero. Needless to say, we're looking forward to your reactions[]. So ... grab a sheet of paper or a post card or last week's leftover bagel and WRITE!!" I think you can guess how filled-to-the-brim the Mighty Marvel Mailbag was that week. Brought to the world by Len Wein (it's that man again) and John Buscema, the Golem lasted all of three months, before vanishing for the rest of the century.


Jeez, Len Wein gets about, doesn't he? Equinox, a curious blend of the power of fire and ice, turned up a few times in the pages of Marvel Team-Up, and even showed up a couple of years ago during the Secret Invasion, but despite having one of the more interesting visual looks of the era, never really seems to have found his groove.


Brought to us courtesy of Gerry Conway and Ross Andru, Grizzly must be the character who must resents the ol' Canucklehead. I mean, look at the guy. With that surly attitude, coupled with the ridiculous costume, he must have reckoned he had at least as good a chance as Wolverine of making the big time. If not for a quirk of fate, Grizzly could have found himself on the cover of Giant-Sized X-Men #1, and we might now be reading three or four monthly books about the exploits of the world's favourite ex-wrestler. There's no justice.

So there you have. Ten of the, er, best creations of 1974 who didn't go on to become superstars. I like to think that in some parallel universe, these guys are world-famous, with legions of fans. Well, except for Piranha. That guy sucks.

70 Years of Marvel - 1972

Spoiler: no he didn't.

Amazing Adventures had been launched a couple of years earlier, as a vehicle for the Inhumans and the Black Widow, but by 1972, they'd been turfed from the title, in favour of the X-Men's Beast, now transformed into a furry monster. Written first by Gerry Conway, then by Steve Englehart, who would later introduce him to the Avengers, the furry Beast has fluctuated between furry and human ever since. Currently he's a big cat. Go figure.

Amazing Adventures itself would shortly become home to post-apocalypse hero, Killraven, who would be the book's star for the remainder of its run. More on him later.

1972 also saw the first appearance of Werewolf By Night, the launch of a new Ghost Rider, and the arrival of Dracula in the Marvel Universe, as the 70s Horror Onslaught began. As if that wasn't enough, that year also saw the debut of (Sweet Christmas!) Luke Cage, Hero For Hire. Marvel also introduced 3 more girl heroes: Ka-Zar-wife-to-be, Shanna the She-Devil, Night Nurse, who , after a four-issue run in her own title, would vanish into obscurity for the remainder of the 20th century, and the Cat, who would become better known in later years as Tigra.

In the real world, some important stuff probably happened, but since it was also the year that I was born, damned if I'm letting anyone else share my day.