Professor Xavier Is A Jerk!

As mentioned before, many of the current woes in the Marvel Universe are a result of Professor X's misusing of his mutant students. The whole War of Kings thing currently being played out between the Shi'ar and the Inhumans might have been prevented, had Xavier happened to mention to anyone that there was a third Summers brother, one with a bit of a grudge against the Shi'ar. So, what other misdeeds can we accuse the X-Men's mentor of?

1. Whilst still in the womb, killed his own twin.


2. On the US Army's dollar, shagged his way across Europe, leaving at least one pregnant woman in his wake.


3. Used his psychic powers to put the whammy on any woman not taken in by his "charm".


4. Forced one of his students to take a job working at a club where she would regularly be expected to dress in fishnets and bodices.


5. Fancied a bit of peace and quiet from his students, so faked his own death.


6. Sent a group of novice mutants to rescue his original team of X-Men, got them killed, and then never mentioned it to anyone ever again!


7. Went evil.


8. Again.


9. And again.


10. Buggered off into space with his latest girlfriend, leaving his school and students in the hands of their arch-enemy.


11. Wanted his school and students back, so lobotomised the aforementioned arch-enemy.


12. Went evil, again...


13. Outed himself as a mutant, at the same time dropping his students in it.


14. When his ex-girlfriend, Moira McTaggart, was murdered by the mutant terrorist, Mystique, responded by - hiring Mystique to carry out black ops missions for him.


15. Used his experience of faking his own death, to help Magneto fake his own death.


Make no mistake, this man is not a nice guy. If you see him, do not approach. Unless it's to kick his wheelchair over and kick him in his bald head, that is...

(This cheap inventory post previously appeared in my other blog, February 2006.)

70 Years of Marvel - 2006

By 2006, "event comics were rampant at Marvel. We had, in no particular order:

X-Men: Deadly Genesis - in which Ed Brubaker finally answered the question of who Cyclops and Havok's mystery brother was, about a decade after anyone had last expressed an interest in finding this out. The third brother, Vulcan, believed dead, and erased from the memories of everyone who met him (by that good guy, Professor X), came back from the dead, kidnapped the X-Men, killed Banshee, then went off into space to conquer the Shi'ar Empire.

Civil War - in which Mark Millar spins a yarn in which the New Warriors accidentally blow up a school, and the superhero community is torn in half, with factions arguing for and against superhero registration led by Iron Man and Captain America respectively, Spider-Man reveals his secret identity to the world, and Hank Pym builds a clone of Thor.

Planet Hulk - in which Mr Fantastic, Iron Man, Black Bolt and Dr Strange decide to exile the Hulk into space, accidentally sending him to a planet of enslaving insects, whom he proceeds to conquer. Planet Hulk's writer, Greg Pak, would subsequently return the Hulk to Earth to kick some arse, but this was a far superior tale.

Annihilation - in which Annihilus and his Negative Zone pals try to conquer the "Positive" Universe. Used by Keith Giffen and others as a means to jumpstart Marvel's "cosmic" characters, who had been somewhat underused in recent years.

Additionally, 2006 saw the Black Panther marry the X-Men's Storm, Warren Ellis launch Nextwave, comedy misadventures of some b-list heroes, and Neil Gaiman relaunch the Eternals. In all, a busy year for Marvel's marketing department.

70 Years of Marvel - 2001

Fans of parallel universes got a boost in 2001, with the introduction of the Exiles. Dimension-hopping mutants from various different worlds, the Exiles were led, mostly, by Blink, who was a throwaway character from a mid-90s X-Crossover, who, after being killed off, had proved unexpectedly popular with the readers. The Exiles, although a standalone book, had enough ties to the Marvel Universe proper, to keep the fanboys happy, at least until the book was killed off earlier this year.

2001 also saw the Powers-What-Be at Marvel decide to tell the origin of Wolverine, apparently in order to prevent the X-Movies from beating the books to the punch. Although, some might argue, that since Editor-In-Chief Joe Quesada and Publisher Bill Jemas each got a writing credit on the book, it might just have been in order to make them some ready cash, helping to tell a story that some fans had been waiting 30 years for.

Finally, it was all change at the X-Books this year, with Grant Morrison taking over the reigns of the Adjectiveless X-Men, henceforth renamed New X-Men, and Peter Milligan relaunching X-Force with an entirely new, entirely bonkers, set-up. Chris Claremont found himself turfed off Uncanny X-Men, again, but got a new book out of it: X-Treme X-Men. Most other titles found themselves facing the axe, as part of a plan to reduce the number of X-Books to a manageable level.

Incidentally, for those of you who care, in January 2001 there were 12 ongoing X-Books (Bishop, Deadpool, Gambit, Generation X, Mutant X, Uncanny X-Men, Wolverine, X-Force, X-Man, X-Men, X-Men: Hidden Years, and the quarterly X-Men Unlimited), whilst December had 8 (Deadpool, Exiles, Uncanny, Wolverine, X-Force, New X-Men, X-Treme, and Unlimited). The solicitations for January 2010 show the following regular X-Books: Dark Wolverine, Uncanny, X-Force, X-Men Legacy, Cable, New Mutants, Deadpool, Deadpool: Merc With A Mouth, Deadpool Team-Up, Wolverine: Weapon X, Wolverine: Origins, X-Factor, Uncanny X-Men: First Class, X-Men Forever. 14 in total. So much for progress.

In the real world, of course, 2001 was the year the World Trade Centre came down.

70 Years of Marvel - 1997

C'mon now, did you really think I was going to spotlight any other book?

The 90s were not a golden decade for Marvel, but there was the occasional highlight, and none more than the introduction of the Thunderbolts. With apologies for spoilering 12 year old book, Kurt Busiek's concept of having Baron Zemo and the Masters of Evil pose as superheroes in order to take over the world was pretty damn cool. But the idea that, having pulled off the initial deception, some of these long-standing bad guys (Goliath, Screaming Mimi and the Beetle) might decide that they actually quite like the respect that they're receiving, and might decide not to go through with the whole going bad and inevitably getting their heads handed to them element of the scheme, now that was genius.

In a time when there was a noticable decline in the quality of most of Marvel's product, Thunderbolts stood head and shoulders above the rest. For years, the original team trod the line between heroism, opportunism, and villainy, being at times, outlaws, acknowledged heroes and saviours of the world. Then Warren Ellis took over, and the whole concept of wannabe heroes was ditched, in favour of outright villains and psychopaths working for the government in return for a pardon. All well and good, but nothing we hadn't seen twenty years ago in Suicide Squad over at DC.

July '97 was notable for being Marvel's Flashback Month, in which Stan Lee (or a reasonable facsimile) showed up in pretty much every book, in order to introduce a tale from the past of the protagonists of the book: Daredevil's college days, Baron Zemo's childhood, Cable's first time-journey. A novel idea, but pretty much inconsequential in the long term,

1997 also saw Roger Stern and Ron Frenz return to Spider-Man, to give the definitive answer to the question: who is the Hobgoblin? The question had already been answered, a decade previously, but it had been an unsatisfactory conclusion, and Stern took advantage of the new, post-Clone Saga regime to write "his" ending to the mystery he'd started 15 years ago.

New blood was introduced to the X-Men, in the shape of Maggot, Cecelia Reyes and Marrow, all of whom were introduced during the latest X-Crossover, Operation Zero Tolerance. The first new members of the team introduced in nearly a decade, all three proved less than popular, and all three were gone from the team by the end of the millennium.

Outside of comics, New Labour swept to power on the UK in this year. A decade of national mourning was declared, following the ascension of Saint Diana, the People's Princess. And the world gasped at the majestic wonder that was Jim Cameron's Titanic. If any of this seems familiar, then I can only assume you are suffering from deja vu, and not that, for some reason, I looked up 1997 when writing the entry for 1996. Move along, move along.

70 Years of Marvel - 1996

1996 was a crunch year for Marvel. While the X-Titles were doing ok, the Spider-Books were embroiled in the seemingly-everlasting Clone Saga, and the Avengers were just emerging from The Crossing, a crossover event which had seen Tony Stark go evil, the Wasp turned into a real giant-size woman-bug, and many readers jumping ship. Captain America, written at the time by Mark Waid, was well-regarded, but nothing spectacular, sales-wise. And the Fantastic Four had been lumbering along under Tom DeFalco's guidance for years. With sales crashing all over as a result of the end of the speculator boom, Marvel wanted to try something radical.

Their answer was Onslaught, an ultra-powerful mutant (with a dark secret) who tried to destroy the world. A couple of months of group-wide crossovers led to a final battle, in which the Avengers and the FF sacrificed themselves to stop Onslaught. The public, seeing their heroes killed, blamed mutantkind, and the X-Men's lives got that little bit more difficult.

But the Avengers and the Fantastic Four weren't dead. Oh no, not at all. Instead, they faced a worse fate: outsourcing! Marvel hired Jim Lee and Rob Liefeld, founders of Image Comics, to "reimagine" the two teams, in the Image style. So it was farewell to the classic Marvel style, and hello to this...



It worked, after a fashion. Sales went through the roof, and everyone was talking about Marvel again. And that the the books weren't very good didn't really matter. After a year, the books would revert to being written and drawn in-house, with yet another set of #1 issues. And because each restart was accompanied by a bump in sales, we could henceforth look forward to pretty much every Marvel title restarting every couple of years.

In other comics news, the Clone Saga did eventually finish, at the end of this year, accompanied by the return of Norman Osborn. It says something for how much people were tired of the whole clone thing, that the resurrection of Spidey's most famously dead arch-nemesis seemed like a pretty neat idea. 13 years on, and with Norman appearing in pretty much every comic pretty much every month, it doesn't seem like such a winning plan.

1996 was also the year of Amalgam Comics, in which Marvel and DC Comics collaborated on a shared universe, with characters made up of blends of both companies' heroes and villains.


A novel idea amongst a sea of detritus, Amalgam Comics managed two runs, in '96 and '97, before vanishing without trace.

Oooh! Shiny!

The mid-90s saw the comic speculator boom reach its crescendo, as a whole bunch of stupid people decided that, because Amazing Fantasy #15 and Detective Comics #27 were worth a fortune, then all comics would eventually be worth a fortune. These stupid people went forth and bought a shedload of comics, which they then either bagged and tagged, to sell in the future once said comics had become valuable, or, hilariously, sold them to even more stupid people, who believed that because the comics were being bought in large numbers, they must be worth lots of money NOW. Before anyone could realise these spectacular profits, the bubble burst, the speculators went on to the next big thing (pogs, probably, or trading cards), and comic sales dropped like a stone, taking most of the comic shops with them. Before you laugh, bear in mind this sort of "logic" is pretty much exactly what caused the house-buying boom of the last few years, and you saw how well that turned out.

The rise and fall of the speculator market can be symbolised by looking at the use of foil covers in comic books. Bear with me.


In 1991, Silver Surfer #50 came out. This book featured a battle between Surfy and the reborn dark titan, Thanos, and was a prelude to the Infinity Gauntlet, a cosmic event which touched on most of the Marvel Universe (except the X-Books, which for some reason managed to dodge such things). Some bright spark at Marvel decided to celebrate this milestone issue, by issuing the book with a silver foil cover.

I imagine it did well, I recall friends being excited by the (really not done justice by scanners) cover. In any case, Marvel followed this up the very next month with a glow-in-the-dark cover on Ghost Rider #15.


Nice enough, I'm sure you'll agree, but, really, why the need for a gimmick cover? This issue did feature a confrontation between the 90s Ghost Rider and his 70s equivelent, but it was the concluding part of a three parter, and not even a particularly good three parter at that.

1992 saw Marvel issue a few more books promotional covers Most of them seem justifiable enough:
Amazing Spider-Man #365, Spider-Man #26 and Spectacular Spider-Man #189 all celebrated Spidey's 30th anniversary with neat little holographic panels.
Hulk #393 commemorated the Hulk's 30th anniversary and revisited his origins.
Guardians of the Galaxy #25 featured the 31st century heroes battling Galactus.
Spider-Man 2099 and Ravage 2099 introduced the world of tomorrow.
And, er, Silver Sable #1 celebrated the bounty hunting blondeshell getting her own book at last.



In 1993 , Marvel were churning out the gimmick covers, on, by my count, 44 comics. Some, such as the Avengers and the X-Men's 30th anniversary, were reasonable. Then there were such "essentials" as Namor #37, which celebrated Subby getting a new costume. Or Fantastic Four #371, in which the Human Torch accidentally set fire to Empire State University. Or Venom: Funeral Pyre, in which the world's most overrated supervillain takes on the Punisher (spoiler: nobody dies). By 1994, just about every comic had a gold, silver, platinum, 3D, die-cut, prismatic cover, or it felt like it. Every anniversary, no matter how trivial, every first issue, every "landmark" issue, had a pretty cover, and an inflated cover price to match. Sales were spiking all over the place, based not on how good the books were, but on the relative "buzz" generated by Excalibur #75 or Nova #1.


By 1995, the speculators were getting tired, and by 1996, most of them had vanished off in search of the nearest shop selling Magic: The Gathering cards. Other than a couple of Marvel 2099 books, the foil cover phenomenon vanished without trace virtually overnight.


It would be a good long while before Marvel would try another attempt at getting those speculator dollars, through the use of variant covers on books. A glance at the shelves of your nearest comic shop will show that Marvel doesn't really seemed to have learned any lessons from the 90s speculator boom, as just about every comic out at the moment is available with at least two covers. Disaster lies ahead...

70 Years of Marvel - 1992

1992 started out as a good year for Marvel. They had a bunch of superstar artists working on their biggest X-Books: Whilce Portacio on Uncanny X-Men, Jim Lee on the Adjectiveless X-Men, and of course, Rob Liefeld on X-Force. Over in the Spider-Books, Erik Larsen had just taken over the writing and drawing on Peter Parker: Spider-Man, replacing Todd McFarlane, who'd gone off in a bit of a strop. They even had a successful relaunch of Guardians of the Galaxy, produced by Jim Valentino. Good times, eh?

It wouldn't last. Turns out that strop that Todd was having was a bit more serious than expected. Rather than going over to DC, or coming back, cap in hand, McFarlane persuaded Portacio, Lee, Leifeld, Larsen and Valentino to go start up their own company with him. Thus was Image Comics born. And while the Image boy's departures did allow new talent like Andy Kubert to get a regular artistic gig, there wouldn't be the superstar mentality of the early 1990s for a good long time.

1992 also saw the Rise of the Midnight Sons, in which Marvel decided to make a group out of all of its darker books. Since, at that point, it only actually had one "darker" book - Ghost Rider - that meant launching a whole line of new books:
Darkhold: Pages From The Book Of Sins - in which dark forces take an ancient grimoire, cut it up, and give pages out of it to unsuspecting bystanders, unleashing all manner of evil.
Spirits of Vengeance - a team-up book between the 1970s Ghost Rider and his 1990s replacement.
Morbius The Living Vampire - the not-quite-a-vampire occasional Spider-Man foe.
Nightstalkers - former Tomb Of Dracula stalwarts, Hannibal King, Frank Drake, and Blade, who teamed up to fight evil. Imagine Angel Investigations, but with less hair product.
Eventually, Dr Strange would be brought into the Midnight Sons fold, but by that time, (1994), the line was dying on its arse, and Marvel would be moving onto its next good idea. More on that later.

As if that wasn't enough, 1992 was also the year in which Tony Stark constructed what would non-ironically be called the War Machine armour. Golly.

70 Years of Marvel - 1991

Having been pretty much solely responsible for turning Wolverine into the biggest star Marvel Comics had, Chris Claremont must have been delighted when, deciding to give the feisty Canadian some sort of origin story, Marvel decided to ask someone else to write it. That it was comics legend Barry Windsor-Smith who was tapped to write and draw the book may have been of some comfort, as it at least guaranteed that the book would look beautiful. Thankfully, BWS turned in one of the best X-Minis ever, certainly the best one of the decade, and for a few brief months, Marvel Comics Presents - generally the home of inventory stories and worse - became the most exciting book on the shelf.

1991 also saw the debut of annoying wisecracking assassin, Deadpool, as Rob Leifeld and Fabien Nicieza transformed the cute and fluffy New Mutants into the grim and gritty X-Force. Darkhawk, currently enjoying a revival as part of Marvel's cosmic line, made his first metal-armoured appearance, as did Sandman-lite, Sleepwalker. X-Factor got a new line-up, the X-Men got a second core title, and mutant from the future, Bishop, showed up to kick arse and take names.

In the real world, Operation Desert Storm was kicking off in Kuwait, Boris Yeltsin was taking charge in Russia, and another Gandhi was being assassinated. Everyone was going to see Terminator 2 at the pictures, while on tv, Dallas was limping to a conclusion.

11 of the Best: Cosmic Sagas

Since we're talking about cosmic comics, here's what I regard as the most unmissably unmissable space tales. Long-term readers of comics may find little to surprise them here...


The Coming Of Galactus, Fantastic Four, 1966 (Lee & Kirby)
Jack and Stan had already introduced us to the world beyond, with the introduction of the Skrull Empire in the early issues of FF, but this was the biggie. A god-like being turns up, heralded by a cosmic-powered sentinel, the Silver Surfer, and the Fantastic Four know this is bad news, because the sworn-never-to-interfere Watcher shows up to warn them. Marvel's first truly epic storyline.


The Kree-Skrull War, Avengers, 1971-72 (Roy Thomas, Sal Buscema, and Neil Adams)
Also introduced in the pages of the FF, the Kree were the great space power of the galaxy, with the Earth considered too remote to interest them. That changed when the Kree's centuries-old conflict with the Skrull Empire spread to the Earth's solar system. The Avengers were drawn, via their ally, Captain Mar-Vell, into the war, and fought to prevent the Earth itself being an innocent bystander of the battle.


The Thanos War, Strange Tales, Avengers and Marvel Two-In-One, 1977 (Jim Starlin)
The mad god, Thanos, had been lurking on the fringes of the Marvel Universe for a few years, and had even gotten hold of a Cosmic Cube once, but this was his big play for universal domination. Obsessed with death, Thanos had obtained the Infinity Gems, which he intended to use to destroy the universe. The Avengers, Captain Marvel, and Adam Warlock would stand against him, and one of them would not be walking away from this battle.


The Phoenix Saga, X-Men, 1977 (Chris Claremont, Dave Cockrum, and John Byrne)
This was the X-Men's first big space adventure, in which Professor X's latest floozy, Princess Lilandra, was kidnapped by her insane brother, the Shi'ar Emperor, D'ken, and the team went to rescue her. Notable for the first appearance of the Starjammers, and the first time Jean Grey was allowed to unleash the power of the Phoenix, this also saw the introduction of the Shi'ar as the other great star empire, one powerful enough to give even the Kree pause in their expansionism.


The Trial Of Galactus, Fantastic Four, 1983-84 (John Byrne)
After being saved from certain death by Mr Fantastic, Galactus finds the Skrull homeworld, and eats it. As well as incurring Reed Richards the displeasure of pretty much every sentient being in the universe, this throws out the balance of power in the galaxy, crippling the Skrull Empire, and setting the stage for...


Operation: Galactic Storm, various Avengers books, 1992 (Bob Harras, Steve Epting, Roy and Dann Thomas, Dave Ross, Mark Gruenwald, Rik Levins, Greg Capullo, Gerard Jones and Jeff Johnson)
In which the Kree and Shi'ar Empires go to war, with the Avengers stuck in the middle. Condemned at the time as a cheap attempt to cash in on Operation: Desert Storm (why, and how, anyone would "cash in" on a war is a bit of a puzzler, I have to say), O:GS is notable for the uncompromising attitude of some of the Avengers, an attitude for which the editorial staff have to be commended: no bottling the tough issues here. Of course, this uncompromising attitude is probably where the current "dickish" Iron Man comes from, so it's not all good...


The Troyjan War, Incredible Hulk, 1994 (Peter David and Gary Frank)
Maybe Peter David was hoping to create the next big alien race, or maybe he was just looking for a villain who could give the Hulk a run for his money. Either way, this wasn't the most successful launch, since the Troyjans haven't (to the best of my knowledge) showed up anywhere since the Hulk led his then-allies, the Pantheon, against the Troyjans and their warlord, Arm’chedon (Armageddon, get it?). However, there's a lot going on in this serial, with appearances by both the Silver Surfer and the Starjammers, not to mention a battle royal between the Hulk and the Troyjan's champion, Trauma. Great stuff.


Maximum Security, various titles, 2001 (Kurt Busiek and Jerry Ordway)
One of the wackier storylines of recent years, Maximum Security saw various alien governments, led by the Shi'ar, turn Earth into an impromtuo penal colony and exile their worst criminals there. The prisoners, regretably, include Ego, the Living Planet, who proceeds to try to take over the world. Bizarre, but great fun, which is all you can ask for in a comic, particularly a 21st century comic...


Fall And Rise Of The Shi'ar Empire, Uncanny X-Men, 2006-07 (Ed Brubaker, Billy Tan, and Clayton Henry)
In which Havok pursues his long-lost brother, Vulcan, into deep space, to try to stop him from taking his revenge on the Shi'ar for killing their mother. Another run which disrupts the balance of power in the galaxy, with Vulcan declaring himself Shi'ar emperor and threatening to cause chaos. Mind you, perhaps the Shi'ar can count themselves lucky; after all, they at least managed to avoid...


Annihilation, 2006-07 (Keith Giffen and Andrea Divito)
A dark power strikes in the galaxy, sparking an interstellar war, which sees the Skrull Empire crushed, the Kree severely weakened, and the Silver Surfer once again swearing loyalty to Galactus. Just about every one of Marvel's cosmic powers showed up in this maxi-series, a title which has done more to open up the expanded Marvel Universe than pretty much anything else in the past forty years.


War of Kings, 2009 (Dan Abnett, Andy Lanning, and Paul Pelletier)
Abnett and Lanning have been building on Annihilation for some time now. They used that title as an opportunity to bring Nova back in his own title. They wrote the sequel, Conquest, in which the Phalanx, a long-forgotten X-Men foe, conquer the Kree, and they used that story to launch their own version of the Guardians of the Galaxy, a book which has made a star of a talking raccoon. Finally, they had the Kree, now led by Black Bolt and the Inhumans, go to war with the Vulcan-led Shi'ar, bringing together pretty much all the cosmic events of the past few years. Since Marvel seem to have worked out that there's money to be made out of these cosmic events, expect Abnett and Lanning, and others, to continue mining this seam for some time to come.

(This post mostly recycled from an earlier post on my other blog.)

70 Years of Marvel - 1989

The X-Universe was getting busy by 1989, with 5 full-time books: Uncanny X-Men (under the control of Chris Claremont and Marc Silvestri); Excalibur (Claremont and Alan Davis); Wolverine (Claremont, again, and John Buscema); X-Factor (written by Louise Simonson, and drawn mostly by husband Walt); and New Mutants (Simonson, again, and mostly Bret Blevins, although the issue above was drawn by John Byrne). Of course, had we known what was ahead of us, in terms of the apparent exponential expansion of the X-universe, we'd have counted ourselves lucky to just have five books.

The New Mutants themselves were pretty busy too. They started 1989 by being embroiled in the Inferno saga, with Magik going crazy and turning into a demon. They lost the school and their headmaster, Magneto, turned back into a villain, and they finished the year stranded in Asgard, trying to save the 9 Realms from Hela. By this point, the book had abandoned any of the notion of being a story about school kids who just happened to be mutants, in favour of standard superhero stuff. We weren't quite at the annual "event" stage yet, but we were getting there.

Speaking of events, 1989 saw the "Acts of Vengeance" storyline, where some of Marvel's biggest bad guys decided the best way to beat their foes was to trade opponents. This led to such fights as Doctor Doom versus the Punisher, Daredevil versus Ultron, and the Fantastic Four versus Plantman. That storyline also saw the introduction of the New Warriors, another team of teenage superheroes, whilst, back over at the X-Books, future X-Woman, Jubilee, made her first appearance. Thor had a new secret identity, in the person of Eric Masterson, who'd later become the pseudo-Thunder God, Thunderstrike.

The real 1989 saw author Salman Rushdie get into a spot of bother, the introduction of the somewhat unpopular Poll Tax in the UK, and the decline and fall of the Berlin Wall. Yay!

70 Years of Comics - 1988

Excalibur had been devised in 1987, in the aftermath of the two X-Events: the Morlock Massacre, which had seen Kitty Pryde and Nightcrawler injured and forced to retire from the team; and The Fall Of The Mutants, in which the rest of the X-Men had been apparently killed (in fact, they hadn't died, they'd just gone to Australia, but that's another story). For no particularly good reason, Kitty and Nightcrawler, along with Cyclops' daughter from a possible future, Rachel, teamed up with Marvel UK's Captain Britain, and his girlfriend, Meggan, moved to London and embarked on a series of trans-dimensional adventures. The best of these adventures were written and drawn by Chris Claremont and Alan Davis, and no-one else really seemed to have a feel for how to write this book, which mostly turned into just another X-Book, except for a brief stint where Warren Ellis tried out some of the superhero noir stuff which would make him a name on Image's Stormwatch a few years later.

Elsewhere, in '88, Speedball the Masked Marvel was making his debut, courtesy of Tom DeFalco and Marvel legend, Steve Ditko.

In the real world, 1988 saw the Lockerbie Disaster, and George Bush Sr winning the US Presidential Election. On TV, tiresome sci-fi show, Red Dwarf, was using up money which might have been better spent elsewhere, and Roseanne Barr was making a star out of John Goodman, whilst Roger Rabbit was the talk of Hollywood.

70 Years of Marvel - 1986

In 1986, rising comics superstar Frank Miller was just finishing up his second run on Daredevil. The "Born Again" saga, by Miller and David Muzzicchelli, began with the Kingpin discovering the secret identity of his blind foe, and ended with Daredevil teaming up with Captain America to battle a deranged supersoldier. along the way, Miller took us into the hearts of Matt Murdock and Wilson Fisk, as well as their numerous friends and associates, and set a standard that successive writers, try as they might, have never quite been able to match.

Elsewhere in 1986, Magneto was taking charge of the New Mutants. Jean Grey was back from the dead, prompting the original X-Men to reunite as the mutant-hunting X-Factor Investigations. Private investigator, Dakota North, was introduced to the Marvel Universe, as was Sharon Ventura, the new Ms. Marvel. The Scourge of the Underworld was wiping out hordes of second and third-tier villains, whilst the Marauders were wiping out hordes of Morlocks. And Baron Zemo and his Masters of Evil were doing a decent job of destroying the Avengers. But all this would pale into insignificance in the face of the coming of the New Universe titles. More on that later.

Outside of comics, 1986 was the year of the Challenger Disaster, and I don't really have anything else to say about that year.

"Slay Your Enemies, And All You Desire Shall Be Yours!"

As mentioned yesterday, in 1985 (and indeed 1984) comic fans were getting all excited over Secret Wars. It was, while by no means the first mini-series published by Marvel, certainly the first one to have line-wide consequences. These days Marvel would call it an "event", publish a line of related titles, and you'd be sick of the thing before it was halfway finished. In the mid-80s though, Marvel just had many of their top heroes whisked away via a mysterious portal to another world, where they were forced to battle villains, with the promise of the ultimate prize for the winners. Jim Shooter took a year to tell the story of what had happened, but whilst these days, we'd face 12 months of comics featuring stand-in heroes in the missing characters' books, in those days, they simply showed the heroes returning the next month, and the radical changes which the as yet untold Secret Wars had wrought.

Spider-Man appeared with a new, black and white costume, which changed between civilian and super-duds depending on what was needed, and which never ran out of webbing. Later he'd discover that the costume was actually an alien symbiote, trying to take him over. Later still, the symbiote would be reborn as the villainous Venom, and later still, we'd all be sick of the sight of the black costume. But at the time, for all that it was just a change of look, we were quite excited by it.

The Incredible Hulk came back from Battleworld with a broken leg and a bad attitude. The broken leg was courtesy of a fight against Ultron, whilst the bad attitude came, at least in part, from the manipulations of old Dr Strange foe, Nightmare, out to get at the Sorcerer Supreme via one of his fellow former Defenders. Of course, a week of fighting the Absorbing Man and having mountains dropped on him probably didn't help the Hulk's disposition either.


The Vision, newly recovered from a near-death experience, took advantage of the disappearance of most of the Avengers to launch a bloodless coup. Naming himself chairman, he cosied up to the government and got them to approve setting up a new West Coast branch of the team. Had anyone realised that he was suffering from the android equivalent of brain damage after his time spent in a coma, he'd probably have encountered slightly more resistance.


Ben Grimm, in contrast to most of the heroes, quite enjoyed his time away from Earth. He discovered that he was able to turn back into his human form at will, and decided that, on the whole, he'd sooner spend his future riding around on pteradons than go home and be a monster again. So he chose to stay on Battleworld, leaving the Fantastic Four a man short.


The FF didn't waste time replacing the Thing, offering his place in the team to the first superstrong person they saw. In this case, the She-Hulk, who, although a member of the Avengers, was happy to cross the street to the Baxter Building. Later, the Human Torch would take advantage of the Thing's absence to shag his girlfriend. Classy. Secret Wars would also tease the readers of the FF with the mystery of how Doctor Doom, killed the previous year, could be alive on Battleworld. A somewhat convoluted explanation would eventually be given, accompanied by a somewhat gratuitous appearance by the Beyonder.


And the X-Men? Well, they stood around a hill in Japan talking a lot. Well, it was the 80s, and it was Chris Claremont, so perhaps we shouldn't have expected anything too revolutionary. In Claremont's defence, he did use Secret Wars to promote his agenda of Magneto as an extreme activist, rather than as an out-and-out supervillain, to break up Kitty Pryde and Colossus as a couple, and to justify Professor X deciding to take a more active role in leading the X-Men, but what we really remember is the constant talking...