Showing posts with label Jim Shooter. Show all posts
Showing posts with label Jim Shooter. Show all posts

Thursday, 22 October 2009

"Expect The Unexpected!"


So, as we've previously seen, 1986 saw the introduction of Jim Shooter's New Universe line, which was, I think, the first attempt by any comics company to launch, from scratch, a whole new universe, with heroes and villains gaining their powers as a result of a mysterious "White Event". We'd later see this sort of thing, again from Jim Shooter at Valiant Comics, from the launch of Image Comics, and indeed from Marvel with the 2099 and Ultimate lines. But this was, in 1986, a relatively revolutionary idea.


One of the controversies of the New Universe was that, according to legend, Marvel wiped out a swathe of its existing titles to make way for the new books. In actual fact the only books which I can see as being canned in the months before the launch were Power Man And Iron Fist, a title which had (and I speak as a big fan of Iron Fist) seen better times; Star Wars, which had lasted several years after the release of Return of the Jedi; Doctor Who, something of a niche product (in those days); and The Thing, despatched, at least in part, so that Jim Shooter could bring Ben Grimm back into the Fantastic Four fold. Other than that, and a couple of mini-series finishing up, there wasn't much in the way of dead wood being cleared in the months up to the launch of the first New Universe books.


Famously, Shooter fell foul of Marvel's new managment team, and so his plan to hire top talent to launch his new line was thwarted: oddly, no-one who was anyone wanted to write or draw a brand new, untried-out book, especially as there was no money to pay anyone. What we ended up with was a host of books written by Marvel's editorial team, and drawn by those who really needed the work.


Star Brand
Shooter himself wrote, whilst John Romita Jr, one of the few willing volunteers for the project, drew this, a tale of an ordinary man who suddenly gains superpowers. One of the more criticized books, described as a wish fulfilment book for Shooter himself, Star Brand was nonetheless one of the more lasting concepts, being picked up in the Marvel Universe proper long after the New Universe was long gone.

Spitfire And The Troubleshooters
Gerry Conway and Herb Trimpe came up with this one, based around the adventures of a group of MIT students and their battle suit


D.P.7
Mark Gruenwald and Paul Ryan wrote the entire 32 issue run of this one, concerning a group of suddenly-superpowered folk who, rather than be cut up like lab rats, go on the run. If you're a fan of the X-Men and The Fugitive, this might be your kind of thing.

Justice
Brought to us by Archie Goodwin and Geoff Isherwood, Justice concerned the exploits of an alien who came to Earth to hunt down the evil. At least it did, until Peter David was hired to retcon Justice into a delusional government agent instead. Amazingly, this book lasted 32 issues.


Kickers, Inc.
At the same time that Tom DeFalco and Ron Frenz were building a rep for themselves as the creative team on Amazing Spider-Man, they were also working together on this book, about a team good samaritans, led by a superstrong ex-footballer. As good as it sounds, this book managed 12 issues, before being put to death, by which time DeFalco and Frenz had left the book to take on the adventures of a golden-haired Asgardian.

Mark Hazzard: Merc
Written, at first, by Peter David, and drawn, at first, by Gray Morrow, this dealt with, as you may guess, the adventures of an appropriately named mercenary. Certainly different to normal superhero fare, it was barely related to any of the other New Universe books, which may explain why it lasted only the dozen issues.


Nightmask
Another book by Archie Goodwin, with a rotating cast of artists that included future workhorses, Ron Lim and Mark Bagley, among many others. Lasting just the twelve issues, this one began with Keith Remsen, comatose since an explosion, being awoken by the White Event, and gaining the power to enter people's dreams, like the Sandman, only wearing a domino mask, for some reason.

Psi-Force
A group of telepaths on the run from American and Russian secret service agents, Psi Force was the creation of Archie Goodwin (again) and Walt Simonson, though neither of them showed up to produce an issue. Notably, this did see some very early comics work from top 90s talent, Fabien Nicieza, who wrote half of its 32 issues.


After various attempts at tinkering, including the departure of Jim Shooter, the slimming down of the books, and a couple of "event" books, the New Universe line was somewhat unceremoniously killed off in the summer of '89, its titles replaced with a swathe of new books: Quasar; a second volume of What If?; and new titles for She-Hulk, Nick Fury and Moon Knight. The age of experiment was over, and it was back to stripmining Marvel's history, for the next few years, at least.

Tuesday, 20 October 2009

"Slay Your Enemies, And All You Desire Shall Be Yours!"

As mentioned yesterday, in 1985 (and indeed 1984) comic fans were getting all excited over Secret Wars. It was, while by no means the first mini-series published by Marvel, certainly the first one to have line-wide consequences. These days Marvel would call it an "event", publish a line of related titles, and you'd be sick of the thing before it was halfway finished. In the mid-80s though, Marvel just had many of their top heroes whisked away via a mysterious portal to another world, where they were forced to battle villains, with the promise of the ultimate prize for the winners. Jim Shooter took a year to tell the story of what had happened, but whilst these days, we'd face 12 months of comics featuring stand-in heroes in the missing characters' books, in those days, they simply showed the heroes returning the next month, and the radical changes which the as yet untold Secret Wars had wrought.

Spider-Man appeared with a new, black and white costume, which changed between civilian and super-duds depending on what was needed, and which never ran out of webbing. Later he'd discover that the costume was actually an alien symbiote, trying to take him over. Later still, the symbiote would be reborn as the villainous Venom, and later still, we'd all be sick of the sight of the black costume. But at the time, for all that it was just a change of look, we were quite excited by it.


The Incredible Hulk came back from Battleworld with a broken leg and a bad attitude. The broken leg was courtesy of a fight against Ultron, whilst the bad attitude came, at least in part, from the manipulations of old Dr Strange foe, Nightmare, out to get at the Sorcerer Supreme via one of his fellow former Defenders. Of course, a week of fighting the Absorbing Man and having mountains dropped on him probably didn't help the Hulk's disposition either.


The Vision, newly recovered from a near-death experience, took advantage of the disappearance of most of the Avengers to launch a bloodless coup. Naming himself chairman, he cosied up to the government and got them to approve setting up a new West Coast branch of the team. Had anyone realised that he was suffering from the android equivalent of brain damage after his time spent in a coma, he'd probably have encountered slightly more resistance.


Ben Grimm, in contrast to most of the heroes, quite enjoyed his time away from Earth. He discovered that he was able to turn back into his human form at will, and decided that, on the whole, he'd sooner spend his future riding around on pteradons than go home and be a monster again. So he chose to stay on Battleworld, leaving the Fantastic Four a man short.


The FF didn't waste time replacing the Thing, offering his place in the team to the first superstrong person they saw. In this case, the She-Hulk, who, although a member of the Avengers, was happy to cross the street to the Baxter Building. Later, the Human Torch would take advantage of the Thing's absence to shag his girlfriend. Classy. Secret Wars would also tease the readers of the FF with the mystery of how Doctor Doom, killed the previous year, could be alive on Battleworld. A somewhat convoluted explanation would eventually be given, accompanied by a somewhat gratuitous appearance by the Beyonder.


And the X-Men? Well, they stood around a hill in Japan talking a lot. Well, it was the 80s, and it was Chris Claremont, so perhaps we shouldn't have expected anything too revolutionary. In Claremont's defence, he did use Secret Wars to promote his agenda of Magneto as an extreme activist, rather than as an out-and-out supervillain, to break up Kitty Pryde and Colossus as a couple, and to justify Professor X deciding to take a more active role in leading the X-Men, but what we really remember is the constant talking...

Monday, 19 October 2009

70 Years of Marvel - 1985



1985 saw the conclusion of the original Secret Wars series, a particularly well-received mini-series, in which the Beyonder, an all-powerful alien, kidnapped Spider-Man, the Avengers, the Fantastic Four, and the X-Men, and sent them to a planet to fight a variety of supervillains, including Galactus, Kang, Doctor Octopus, and of course, Doctor Doom (pictured, above, getting a kicking from the Beyonder). The series, written by then editor-in-chief, Jim Shooter, was followed up by Secret Wars 2, in which the Beyonder came to Earth to study humanity, meeting pretty much every hero along the way. Secret Wars 2 was pretty much universally reviled, which shows that even in the 80s, Marvel didn't know how to quit while they were ahead.

Secret Wars 2 did have one long-term effect, that of the introduction of Tabitha Smith, who, under the alias, Boom Boom, would become one of the New Mutants. Also, Longshot, hollow-boned alien mutant X-Man, made his first appearance in this year, whilst Firestar, who'd been one of Spider-Man's Amazing Friends on tv a few years previously, made it into the Marvel Universe proper.

In the real world, 1985 was the year of Live Aid, in which the great and the good of pop music sang their little hearts out for famine relief. Mikhail Gorbachev came to power in the USSR. Coca Cola released New Coke; it didn't last.

On the telly, Eastenders, an ordinary tale of simple London folk, had its debut, as did the Australian soap, Neighbours. Action hero, MacGuyver, made his first appearance, Bruce Willis was becoming a star in Moonlighting, and Elmo joined the cast of Sesame Street. In the cinema, Out of Africa was scooping up Oscars like candy, but Back to the Future was the film people actually wanted to see.