70 Years of Marvel - 2009

So, the Secret Invasion's over, and the Skrulls have had their backsides kicked back to Skrullos. Good news for our heroes, right? Wrong. For whatever plot-serving reason, Norman Osborn, formerly the Green Goblin, formerly dead, and formerly a world-renowned supervillain, is now the hero of the world, and has been placed in charge of SHIELD (or HAMMER, as it's now known), and, as you can see from the picture above, he's brought along a few of his pals.

Osborn's "Cabal" is made up of Loki, the Hood, Emma Frost, Sub-Mariner and Doctor Doom. Apparently, Norman is the only person alive who doesn't know how well it goes when supervillains team up: Acts of Vengeance, anyone?

Whilst we wait for the inevitable decline and fall of Osborn and his friends, comic readers in 2009 can choose to look away from the mainstream Marvel universe, and look out to the stars, where the Kree, conquered by the Inhumans, are at war with the Shi'ar. The War of Kings, as it's dubbed, has drawn in any number of Marvel's cosmic characters, from Nova to the Guardians of the Galaxy, and, like most Marvel successes, shows signs of being over-exploited. Still, it's more fun that the grimness of most Marvel books these days, so enjoy it while it lasts.

70 Years of Marvel - 2004

In 2004, Norman Osborn was finally exposed as the Green Goblin, and sent to prison for a good long time. Who would have thought he'd now be acting as the head of SHIELD? Not anyone rational, that's for sure.

2004 also saw the Avengers Disassembled, courtesy of the Scarlet Witch, who went mad after her best friend, the Wasp, inadvertantly reminded her that she'd once had children who were erased from history. I feel that the Wasp perhaps ought to bear some measure of blame for this fiasco: was it too much to hope that she wouldn't, after one too many gins, rub in Wanda's face her inability to produce children?

Also in 2004, we were presented with Secret War (no relation), in which Nick Fury decides to overthrow the Latverian government, hypnotising half of his friends in order to do so. When this plan goes tits up, Fury runs away and goes into hiding. None of what happens is particularly explicable.

All of the above books were written by Brian Bendis, who was rapidly becoming a master of sacrificing realistic behaviour in his characters, in order to service his stories.

In other news, Russia and Chechnya were having serious fallings-out in this year, while (and I can't believe I never read about this), Marvin Heemeyer, was building himself a homemade tank out of a bulldozer and getting ready to rumble in Colorado.

70 Years of Marvel - 2000

One of DC Comics' biggest names took his first step into Marvel waters this year, with Grant Morrison's Marvel Boy, a Kree soldier who fell to Earth and fell out with pretty much everyone he met. Morrison would make a bit more of a name for himself in the years to come, whilst Noh-Varr would vanish without trace for the next few years, until he was recruited to work for Norman Osborn, adopting the Captain Marvel identity. But, you may ask, what happened to the previous Captain Marvel, the one who was Mar-Vell's son? Well, in 2000, he was just being launched in his own title, bonded with Rick Jones, and being written as a comedy drama by Peter David. His book would last a few years, and on its cancellation, he'd join the Thunderbolts, change his name to Photon, and be killed by Baron Zemo. Oh, the indignity.

The British were coming in 2000. In addition to Morrison's debut, 2000 also saw Warren Ellis take control of several of the X-Books, and Garth Ennis start writing the adventures of the Punisher. Additionally, fellow Brit Paul Jenkins' introduced the Sentry, his amnesiac hero from the dawn of the Silver Age.

It also saw the release of Marvel: The Lost Generation, an interesting, misdirected, and fairly futile attempt to bridge the ever-growing gap between the end of World War II and the start of the modern age of superheroes. Presented by Roger Stern and John Byrne, the characters introduced in the book vanished without trace as soon as the last issue of the series hit the stands.

Somewhat more long-lasting was Ultimate Marvel, another new brand, this one existing solely to relaunch the adventures of Spider-Man, the X-Men, and others in a new universe, unbound by all that annoying continuity. In time, these books would become as convoluted as the mainsteam Marvel Universe, but for a while there, new comic fans could dive into comics without needing an encyclopedia.

In other news, 2000 was the year we lost Charles Schultz and gained George Bush Jr. I'm sure there was some good news, but buggered if I can find any.

70 Years of Marvel - 1996

1996 was a crunch year for Marvel. While the X-Titles were doing ok, the Spider-Books were embroiled in the seemingly-everlasting Clone Saga, and the Avengers were just emerging from The Crossing, a crossover event which had seen Tony Stark go evil, the Wasp turned into a real giant-size woman-bug, and many readers jumping ship. Captain America, written at the time by Mark Waid, was well-regarded, but nothing spectacular, sales-wise. And the Fantastic Four had been lumbering along under Tom DeFalco's guidance for years. With sales crashing all over as a result of the end of the speculator boom, Marvel wanted to try something radical.

Their answer was Onslaught, an ultra-powerful mutant (with a dark secret) who tried to destroy the world. A couple of months of group-wide crossovers led to a final battle, in which the Avengers and the FF sacrificed themselves to stop Onslaught. The public, seeing their heroes killed, blamed mutantkind, and the X-Men's lives got that little bit more difficult.

But the Avengers and the Fantastic Four weren't dead. Oh no, not at all. Instead, they faced a worse fate: outsourcing! Marvel hired Jim Lee and Rob Liefeld, founders of Image Comics, to "reimagine" the two teams, in the Image style. So it was farewell to the classic Marvel style, and hello to this...



It worked, after a fashion. Sales went through the roof, and everyone was talking about Marvel again. And that the the books weren't very good didn't really matter. After a year, the books would revert to being written and drawn in-house, with yet another set of #1 issues. And because each restart was accompanied by a bump in sales, we could henceforth look forward to pretty much every Marvel title restarting every couple of years.

In other comics news, the Clone Saga did eventually finish, at the end of this year, accompanied by the return of Norman Osborn. It says something for how much people were tired of the whole clone thing, that the resurrection of Spidey's most famously dead arch-nemesis seemed like a pretty neat idea. 13 years on, and with Norman appearing in pretty much every comic pretty much every month, it doesn't seem like such a winning plan.

1996 was also the year of Amalgam Comics, in which Marvel and DC Comics collaborated on a shared universe, with characters made up of blends of both companies' heroes and villains.


A novel idea amongst a sea of detritus, Amalgam Comics managed two runs, in '96 and '97, before vanishing without trace.

My First Comics

I may never know which Borders comics fan's mum decided to turf out his November and December-dated Marvel comics, but it was my good fortune that, rather than binning them, she instead donated them to one of the stalls at the Liberal Party's pre-Christmas Bazaar. At the event, where I was dragged by my mum and dad, not only did I get to meet the impressively-statured Cyril Smith, I was confronted with a selection of comics of which, until then, I was sadly unaware.


Alpha Flight #4 & #5 (both by John Byrne)
Alpha Flight #4 featured the tail end of a multi-parter in which the so-called Master of the World attempted to conquer the world, using Marrina the Fish-Girl. It also featured the Invisible Girl and Sub-Mariner, and introduced the idea of Aurora's multiple personality disorder. Issue #5 featured the dwarf, Puck, investigating a drug-smuggling ring based out of a hospital. For a comic featuring only one character I'd even heard of, Alpha Flight had me hooked from the start.


Fantastic Four #260 & #261 (both also by John Byrne)
FF #260 introduced me to the FF's nemesis, Doctor Doom (I may have been aware of him from things like the Spider-Man cartoons, but it would be a very vague awareness), and, before the end of the issue, had killed him off, in a battle between the Silver Surfer and Tyros. This was also the end of a multi-parter, but was also reasonably straightforward to fathom. Alpha Flight #4 was set immediately between #260 and #261, introducing me to the idea of crossovers between titles. #261 had the FF off in space, bumping into the Watcher, and had the team trying to justify not having let Galactus die in an earlier issue. This was a bit of a mystery, but by the end of the book, I pretty much understood what it was all about. The issue also featured a recap of the FF's origin, which was handy for newbies like me.


Amazing Spider-Man #246 & #247 (by Roger Stern and John Romita Jr)
ASM #246 was, essentially, an imaginary story, in which J. Jonah Jameson, Mary Jane Watson, the Black Cat, and Spidey himself daydreamed about their perfect day. Oddly, whilst Jameson and the Cat's dreams ended well, neither Mary Jane or Peter Parker were able to sustain their delusion, suggesting that both have some psychological issues to deal with. #247 featured Spidey teaming up with the fabulous Frog Man, a hunt for the Hobgoblin, and a mystery villain, Thunderball (of the Wrecking Crew). It would be years before I would find out who Thunderball is, and I have no idea to this day about Frog Man. The Hobgoblin was another story, of course.


Spectacular Spider-Man #84 (by Bill Manto and Dave Simons) and #85 (by Mantlo and Al Milgrom)
PPTSSM #84 featured Spidey hunting down a gang of child abductors, and was a purely self-contained story. #85, on the other hand, had the Hobgoblin show up to take on Spidey and the Black Cat. It also, handily, showed the story so far of the Hobgoblin, and featured Peter Parker having a get together with his old college friends, including Harry Osborn, which in turn introduced me to the history of the Green Goblin, which made Spider-Man's obsession with the Hobgoblin a lot more explicable.


Avengers #237 & #238 (both by Roger Stern and Al Milgrom)
Avengers #237 featured Spider-Man trying out for the team, an event alluded to in Spidey's own book, and had the Avengers fighting a whole load of supervillains in Project Pegasus. Looking back, I'm not sure why I accepted supervillains being imprisoned with their costumes on, but it's not something that gave me cause for concern at the time. Issue #238 had the Vision, in a coma due to an earlier battle, recover unexpectedly, showed the She-Hulk househunting, and featured a last-page appearance by Tigra and the ghost of Spider-Woman, the last of which confused the heck out of me.


Captain America #288 (by JM DeMatteis and Mike Zeck)
Set in the future world of 1993, this featured Cap teaming up with the cyborg, Deathlok, to take on the ruler of a destroyed New York. This was pretty much double-dutch to me at the time, and since I didn't have the next issue, it would be a long time before I'd find out how Cap stopped the imminent destruction of the world.

Daredevil #202 (by Dennis O'Neil and William Johnson)
This book had Matt Murdock's firm hired by an African tribe do do PR for their boss, Micah Synn. Micah turns out to be a nutjob, prone to dangling policemen out of windows. As a one-shot, it does a fine job of introducing DD and his significant others, and as an introduction to Micah Synn, it made me want to read more about him, which handily was what Denny O'Neil intended.


Defenders #125 (by JM DeMatteis and Don Perlin)
My first issue of Defenders featured the departure of the original team, the wedding of Patsy Walker and Daimon Hellstrom, and a new team being formed. it also featured an Elf. Much of this made little sense, but thankfully, there was a handy letters page which clarified some of what was going on.

The Thing #5 (by John Byrne and Ron Wilson)
This book had Ben Grimm getting beaten up, for no readily apparent reason, by Wonder Man, She-Hulk, and Spider-Man, before being possessed by his old foe, the Puppet Master. I didn't know at the time who the Puppet Master was, nor why he was out to get the Thing, so this was a less successful introduction to the book, but since the book was essentially an FF spin-off, it wasn't too much of a problem.


Incredible Hulk #289 (by Bill Mantlo and Sal Buscema)
The Hulk was intelligent at this point in his history, which seemed odd at the time, less so now. It had MODOK setting the Abomination to attack Bruce Banner, who was working for the government on gamma ray research - which with hindsight seems less logical than the Hulk's intelligence. Mostly the issue involved Hulk beating up the Abomination, which for a Hulk book is pretty much what you'd expect.

Marvel Team-Up #135 (by Bill Mantlo, again, and Ron Frenz)
This issue featured Kitty Pryde (note the lack of codename) rescuing some kidnapped children from the Morlock tunnels, with the help of Spider-Man. I didn't know who the Morlocks were at the time, and I'm not sure why they were kidnapping people, but it was a decent enough tale, at the time.


The Mighty Thor #337 (by Walt Simonson)
This was a flummoxer. Thor lost his powers, whilst an alien invader gets them. Nick Fury turns up, with little explanation of who he is and why he has a flying car and a helicarrier. And out in space, someone is forging something big. Now, having read the succeeding two years worth of issues, I know this is a classic, but at the time, it was not a good first issue. Not at all.

Uncanny X-Men #175 (by Chris Claremont, Paul Smith and John Romita Jr)
Speaking of confusing first issues, this issue features the wedding of Cyclops and Madelyne Pryor, the return of Dark Phoenix, and Mastermind looking for revenge against the team for what Phoenix had done to him. Confusing stuff, but with enough exposition (this was a Claremont book) to make it explicable.

So there you have it. My first 18 Marvel books. Some classics, and some, less than classic, but enough to get an 11 year-old me hooked on the things, if not for life, then at least for the forseeable future. To my bank manager's horror.

70 Years of Marvel - 1965

By 1965, Stan Lee and Steve Ditko were collaborating (the depth of that collaboaration depends on whom you believe) on what is arguably the strongest run anyone's ever managed on any Marvel book. The issue above is one of many high points, with the Green Goblin (before he become obsessed with destroying Spider-Man, dead, reborn, or head of Homeland Security) falling out with the Crime-Master over who will rule New York's criminal gangs.

1965 saw the first appearance of Tarzan-knock-off, Ka-Zar, and the Swordsman, who, like Namor and the Hulk, would spend most of his career chopping and changing between heroism and villainy. Hercules would make his debut, taking on Thor, not for the last time. The Inhumans would make their entrance into the pages of Fantastic Four, another title which was setting a standard which later writers would struggle to even approach. Romance fans might like to note that this year also saw the introduction of Gwen Stacy, who would play something of an important part in the next few decades of Spider-Man.

Elsewhere in 1965, the Civil Rights movement was in full swing in America, with the events of Bloody Sunday heightening tension somewhat. In Britain, the Moors Murderers were arrested, and England's finest, Winston Churchill, was dead.

At the movies, the hills were alive with The Sound of Music. Omar Shariff was portraying Dr Zhivago, while Christopher Lee was camping it up in The Face of Fu Manchu. On the tv, Dr Smith was also camping it up in Lost In Space, while Larry Hagman was becoming a star in I Dream of Jeannie. Meanwhile, bookish types could thrill to the first of many Dune novels.

It's Not Only Marvel Who Can Do Cheap Reprints...

Before...


...and after...


Might want to reconsider that whole "no fatal errors" claim before you market that glider, Norman...

From Amazing Spider-Man #14, July 1964
(By Lee & Ditko)
And Amazing Spider-Man #122, July 1973
(By Gerry Conway, Gil Kane, John Romita & Tony Mortellaro)

This cheap gag originally presented in my other blog, February 2006.