Showing posts with label Kurt Busiek. Show all posts
Showing posts with label Kurt Busiek. Show all posts

Saturday, 14 November 2009

Everything Old Is New Again

Of course, 2004 wasn't just about Brian Bendis. It was also the year of optimistic relaunches:


3rd time out for Alpha Flight, and a return to Marvel for 90s X-writer, Scott Lobdell. A humorous spin on the Canadian superteam, this lasted all of a dozen issues, and most of the team were subsequently exterminated, in order to establish the badass credentials of the latest Avengers foe. As for Cable and Deadpool, this was was a buddy book, written by Lobdell's former partner in X-crime, Fabian Nicieza, and, for the first few issues, even featured covers by Rob Liefeld, who'd brought Cable and Deadpool to comics in the first place.


Keith Giffen, J.M DeMatteis, and Kevin Maguire had made comedy names for themselves with a relaunch of the Justice League at DC Comics, in 1987. 17 years on, they decided to have a crack at the Defenders, applying similar comedic principles to the title. Meanwhile, J. Michael Straczynski decided to have a crack at making Dr Strange popular again, mostly by retelling his origin. Neither limited series did much for the ongoing popularity of their cast, but neither did a great deal of harm either.


On the other hand, these two books did no good at all for anyone. Chris Claremont launched a new Excalibur book, not related to the previous team book, but instead starring Professor X and Magneto, mostly so that Claremont could retcon the evil Magneto who had been showing up in Grant Morrison's New X-Men. There followed a great deal of to-ing and fro-ing between Morrison fans and critics, none of which made Excalibur a good book. Still, compared to James Mullaney's brief revival of Iron Fist, a book so bad that, despite being the biggest fan in the world of Danny Rand, I have been unable to reread, Excalibur was a classic.


Dan Slott made his first venture into the Marvel Universe with a new She-Hulk book, in which Shulkie joins a law firm and engages in all sorts of superhero litigation. Imagine Boston Legal with super-types. In one form or another, this book was still going until quite recently. Meanwhile, having killed off the original Thunderbolts concept, and replaced it with a supervillain wrestling book, Marvel persuaded series originator Kurt Busiek to come back one more time. The relaunch lasted until Warren Ellis came along and kicked out the existing team, in the midst of 2006's Civil War, to my somewhat dissatisfaction.

Yeah, on the whole, actual ideas were pretty much on the way out over at the House of Ideas that year.

Wednesday, 4 November 2009

70 Years of Marvel - 1997


C'mon now, did you really think I was going to spotlight any other book?

The 90s were not a golden decade for Marvel, but there was the occasional highlight, and none more than the introduction of the Thunderbolts. With apologies for spoilering 12 year old book, Kurt Busiek's concept of having Baron Zemo and the Masters of Evil pose as superheroes in order to take over the world was pretty damn cool. But the idea that, having pulled off the initial deception, some of these long-standing bad guys (Goliath, Screaming Mimi and the Beetle) might decide that they actually quite like the respect that they're receiving, and might decide not to go through with the whole going bad and inevitably getting their heads handed to them element of the scheme, now that was genius.

In a time when there was a noticable decline in the quality of most of Marvel's product, Thunderbolts stood head and shoulders above the rest. For years, the original team trod the line between heroism, opportunism, and villainy, being at times, outlaws, acknowledged heroes and saviours of the world. Then Warren Ellis took over, and the whole concept of wannabe heroes was ditched, in favour of outright villains and psychopaths working for the government in return for a pardon. All well and good, but nothing we hadn't seen twenty years ago in Suicide Squad over at DC.

July '97 was notable for being Marvel's Flashback Month, in which Stan Lee (or a reasonable facsimile) showed up in pretty much every book, in order to introduce a tale from the past of the protagonists of the book: Daredevil's college days, Baron Zemo's childhood, Cable's first time-journey. A novel idea, but pretty much inconsequential in the long term,

1997 also saw Roger Stern and Ron Frenz return to Spider-Man, to give the definitive answer to the question: who is the Hobgoblin? The question had already been answered, a decade previously, but it had been an unsatisfactory conclusion, and Stern took advantage of the new, post-Clone Saga regime to write "his" ending to the mystery he'd started 15 years ago.

New blood was introduced to the X-Men, in the shape of Maggot, Cecelia Reyes and Marrow, all of whom were introduced during the latest X-Crossover, Operation Zero Tolerance. The first new members of the team introduced in nearly a decade, all three proved less than popular, and all three were gone from the team by the end of the millennium.

Outside of comics, New Labour swept to power on the UK in this year. A decade of national mourning was declared, following the ascension of Saint Diana, the People's Princess. And the world gasped at the majestic wonder that was Jim Cameron's Titanic. If any of this seems familiar, then I can only assume you are suffering from deja vu, and not that, for some reason, I looked up 1997 when writing the entry for 1996. Move along, move along.

Sunday, 1 November 2009

70 Years of Marvel - 1995


Some new looks last longer than others. In 1995, Dr Strange changed from his Jason King look (one which pre-dated Jason King by several years) to this rather stylish persona. This was the tail end of a run on Strange by David Quinn, which had seen the good doctor lose the title of Sorcerer Supreme, become split into three seperate people, and fall out with most of his friends - who would presumably have warned him off adopting such a terrible look. By the end of the year, Quinn was out, and Warren Ellis was in, briefly, to restore Strange to his classic look. This wouldn't be enough to save the book from cancellation. Strange fans are still waiting for him to get another shot at headlining his own book.

1995 also saw the Spider-books dominated by the Clone Saga, with Peter Parker "revealed" to be a clone, and Ben Reilly "revealed" to be the real Peter Parker. By year's end, the saga had outlived its usefulness, but as long as sales remained good, the clone story would drag on. Fans of the original Spider-Man could still get their fix of him, but only in flashback tales, such as the Untold Tales of Spider-Man, a lovely little book from Kurt Busiek, which filled in gaps in Spider-Man's first couple of years.

The X-Books took a four month break this year, with the Age of Apocalypse displacing the "real" universe. A neat concept, showing a world in which Professor X had died, and the consequent changes to the world. Unfortunately, as with all neat ideas, it's a well which successive writers have gone back to, again and again. The AoA was responsible for the introduction of Nate Grey, a parallel version of the character with the most confusing backstory ever, just to make things a bit more opaque.

Finally, this was also the year in which Nick Fury was really, truly, incontravertrally, killed off. Not a dream, not an imaginary story, not a clone, and absolutely, definitely, not a robot duplicate. Gone for good. Or, at least, until 1998, when editorial fiat demanded he be brought back to life. And their clever explanation for this resurrection: he was never dead, it was a robot duplicate. God bless the revolving door of death, and the boundless ability of comics readers to accept this sort of nonsense.

In the real world, the Manic Street Preachers lost their muse. The millions of pounds they would make in the next few years may have softened the blow. In Oklahoma, Timothy McVeigh blew up a federal building, killing 168 people. And OJ Simpson was definitely not guilty of murdering his ex-wife and her boyfriend.

Saturday, 31 October 2009

70 Years of Marvel - 1994


Can you believe there was a time when we weren't all just a bit tired of Alex Ross' painted artwork? Or when hardly anyone had heard of Kurt Busiek? Marvels made stars of both men, and deservedly so. A retelling of some of the most iconic moments from the 60s and 70s of Marvel Comics, through the cynical eyes of a photojournalist, Marvels managed to make events like the coming of Galactus and the death of Gwen Stacy come to life in a way that even Jack Kirby and Gil Kane could only dream. Like all classics, it's probably a bit overrated, but it holds up a damn site better than most modern classics, much like the source material that Busiek and Ross were studying.

1994 was also the year that saw Avengers West Coast shut down and replaced with the much more EXTREME Force Works. It featured some of the earliest Marvel US work by the 2000AD team of Dan Abnett and Andy Lanning, who would do much better on books to come. Mostly made up of disaffected ex-Avengers, Force Works handled cases too EXTREME for other super teams. I'd take the piss out of this more, but it doesn't really deserve it. Not compared to the awful terribleness that was Fantastic Force, an attempt to create an FF franchise. This starred mysteriously grown-up Franklin Richards leading a team of heroes so obscure that they arrived without trace, and vanished the same way a year or so later. Interestingly, the team was brought together by the Black Panther, who somehow managed to wriggle out of membership. Good choice, T'challa.

Less terribly awful, at least at first, was Generation X, an attempt at the whole "mutant kids learning to adjust to their powers in a school environment" concept, that the New Mutants had tried a decade or so back. This saw the transformation of Emma Frost from White Queen of the Hellfire Club to the sarcastic schoolmistress we've all come to know and love.

Another new book, and one which whilst somewhat better regarded, would vanish without trace after barely a handful of issues, was Clan Destine, Alan Davis' follow-up to his Excalibur work. Quirky does not usually equate with longevity, and this was no exception.

Oh, and was there something else? I'm sure there was some other event. Oh, yes, of course. Spider-Man began to share book space with a young man calling himself Ben Reilly. Disaster lay ahead...

In the real world, or close to it, Kurt Cobain broke teenage grunge hearts all over the world, Ayrton Senna crashed into a wall at 135mph, and John Smith died, giving God's Gift To Labour a chance to rule Britain in a couple of years.

Tuesday, 27 October 2009

11 of the Best: Cosmic Sagas

Since we're talking about cosmic comics, here's what I regard as the most unmissably unmissable space tales. Long-term readers of comics may find little to surprise them here...


The Coming Of Galactus, Fantastic Four, 1966 (Lee & Kirby)
Jack and Stan had already introduced us to the world beyond, with the introduction of the Skrull Empire in the early issues of FF, but this was the biggie. A god-like being turns up, heralded by a cosmic-powered sentinel, the Silver Surfer, and the Fantastic Four know this is bad news, because the sworn-never-to-interfere Watcher shows up to warn them. Marvel's first truly epic storyline.


The Kree-Skrull War, Avengers, 1971-72 (Roy Thomas, Sal Buscema, and Neil Adams)
Also introduced in the pages of the FF, the Kree were the great space power of the galaxy, with the Earth considered too remote to interest them. That changed when the Kree's centuries-old conflict with the Skrull Empire spread to the Earth's solar system. The Avengers were drawn, via their ally, Captain Mar-Vell, into the war, and fought to prevent the Earth itself being an innocent bystander of the battle.


The Thanos War, Strange Tales, Avengers and Marvel Two-In-One, 1977 (Jim Starlin)
The mad god, Thanos, had been lurking on the fringes of the Marvel Universe for a few years, and had even gotten hold of a Cosmic Cube once, but this was his big play for universal domination. Obsessed with death, Thanos had obtained the Infinity Gems, which he intended to use to destroy the universe. The Avengers, Captain Marvel, and Adam Warlock would stand against him, and one of them would not be walking away from this battle.


The Phoenix Saga, X-Men, 1977 (Chris Claremont, Dave Cockrum, and John Byrne)
This was the X-Men's first big space adventure, in which Professor X's latest floozy, Princess Lilandra, was kidnapped by her insane brother, the Shi'ar Emperor, D'ken, and the team went to rescue her. Notable for the first appearance of the Starjammers, and the first time Jean Grey was allowed to unleash the power of the Phoenix, this also saw the introduction of the Shi'ar as the other great star empire, one powerful enough to give even the Kree pause in their expansionism.


The Trial Of Galactus, Fantastic Four, 1983-84 (John Byrne)
After being saved from certain death by Mr Fantastic, Galactus finds the Skrull homeworld, and eats it. As well as incurring Reed Richards the displeasure of pretty much every sentient being in the universe, this throws out the balance of power in the galaxy, crippling the Skrull Empire, and setting the stage for...


Operation: Galactic Storm, various Avengers books, 1992 (Bob Harras, Steve Epting, Roy and Dann Thomas, Dave Ross, Mark Gruenwald, Rik Levins, Greg Capullo, Gerard Jones and Jeff Johnson)
In which the Kree and Shi'ar Empires go to war, with the Avengers stuck in the middle. Condemned at the time as a cheap attempt to cash in on Operation: Desert Storm (why, and how, anyone would "cash in" on a war is a bit of a puzzler, I have to say), O:GS is notable for the uncompromising attitude of some of the Avengers, an attitude for which the editorial staff have to be commended: no bottling the tough issues here. Of course, this uncompromising attitude is probably where the current "dickish" Iron Man comes from, so it's not all good...


The Troyjan War, Incredible Hulk, 1994 (Peter David and Gary Frank)
Maybe Peter David was hoping to create the next big alien race, or maybe he was just looking for a villain who could give the Hulk a run for his money. Either way, this wasn't the most successful launch, since the Troyjans haven't (to the best of my knowledge) showed up anywhere since the Hulk led his then-allies, the Pantheon, against the Troyjans and their warlord, Arm’chedon (Armageddon, get it?). However, there's a lot going on in this serial, with appearances by both the Silver Surfer and the Starjammers, not to mention a battle royal between the Hulk and the Troyjan's champion, Trauma. Great stuff.


Maximum Security, various titles, 2001 (Kurt Busiek and Jerry Ordway)
One of the wackier storylines of recent years, Maximum Security saw various alien governments, led by the Shi'ar, turn Earth into an impromtuo penal colony and exile their worst criminals there. The prisoners, regretably, include Ego, the Living Planet, who proceeds to try to take over the world. Bizarre, but great fun, which is all you can ask for in a comic, particularly a 21st century comic...


Fall And Rise Of The Shi'ar Empire, Uncanny X-Men, 2006-07 (Ed Brubaker, Billy Tan, and Clayton Henry)
In which Havok pursues his long-lost brother, Vulcan, into deep space, to try to stop him from taking his revenge on the Shi'ar for killing their mother. Another run which disrupts the balance of power in the galaxy, with Vulcan declaring himself Shi'ar emperor and threatening to cause chaos. Mind you, perhaps the Shi'ar can count themselves lucky; after all, they at least managed to avoid...


Annihilation, 2006-07 (Keith Giffen and Andrea Divito)
A dark power strikes in the galaxy, sparking an interstellar war, which sees the Skrull Empire crushed, the Kree severely weakened, and the Silver Surfer once again swearing loyalty to Galactus. Just about every one of Marvel's cosmic powers showed up in this maxi-series, a title which has done more to open up the expanded Marvel Universe than pretty much anything else in the past forty years.


War of Kings, 2009 (Dan Abnett, Andy Lanning, and Paul Pelletier)
Abnett and Lanning have been building on Annihilation for some time now. They used that title as an opportunity to bring Nova back in his own title. They wrote the sequel, Conquest, in which the Phalanx, a long-forgotten X-Men foe, conquer the Kree, and they used that story to launch their own version of the Guardians of the Galaxy, a book which has made a star of a talking raccoon. Finally, they had the Kree, now led by Black Bolt and the Inhumans, go to war with the Vulcan-led Shi'ar, bringing together pretty much all the cosmic events of the past few years. Since Marvel seem to have worked out that there's money to be made out of these cosmic events, expect Abnett and Lanning, and others, to continue mining this seam for some time to come.

(This post mostly recycled from an earlier post on my other blog.)

Thursday, 3 September 2009

70 Years Of Marvel - 1942


By 1942, America was firmly involved in WW2, and so were its superheroes. In addition to Cap, Namor and the Torch, there was a second wave of heroes turning out to help fight the Axis hordes. Let's see, who have we got here..?

First, on the left, we have Captain Daring, who, according to the link, fought the reincarnation of Adolf Hitler in the 31st century. I promise I didn't just make that up, although I suspect International Hero did...
Next up, we have the Fin, an American sailor who discovered that sinking to the bottom of the ocean gives you super-strength. Not one of Bill Everett's finest creations, the Fin vanished without trace at the end of the war. Shame, that.
In the centre, we see the Thunderer, so named because his costume contained a built-in microphone, which he used to amplify his voice, "thundering" at his enemies. So, sort of like Black Bolt, but far lamer than Black Bolt could ever dream of being.
Alongside the Thunderer is Citizen V, who longtime readers of my other blog may recall I have something of an affection for. A British soldier who adopted a secret identity, and who went on a one-man rampage across occupied Europe, striking terror into the enemy, Citizen V vanished without a trace at the end of the war, and was unheard of until 1997, when Kurt Busiek chose to use him, or a version of him, as the centrepiece of the Thunderbolts, a different sort of superhero team. In one form or another, he's been around ever since.
Next to Citizen V is Blue Diamond, a terribly obscure hero powered by a super-magical diamond, who made his one and only contemporary appearance in this very issue, spent the next 30 years in limbo, before being revived (albeit in flashback) by Golden Age aficionado, Roy Thomas.
And lastly, in that box down there, we have the Silver Scorpion, another hero who was plucked out of obscurity to be a member of the V-Battalion, courtesy of a 21st century retcon.

And there you have it, a genuine bona fide Golden Age legion of substitute heroes. Of course, most people were choosing to read about Cap, Namor or the Torch, which is why Ed Brubaker isn't currently writing about the exploits of the Thunderer, or, God help us, the Fin.