11 of the Best: Cosmic Sagas

Since we're talking about cosmic comics, here's what I regard as the most unmissably unmissable space tales. Long-term readers of comics may find little to surprise them here...


The Coming Of Galactus, Fantastic Four, 1966 (Lee & Kirby)
Jack and Stan had already introduced us to the world beyond, with the introduction of the Skrull Empire in the early issues of FF, but this was the biggie. A god-like being turns up, heralded by a cosmic-powered sentinel, the Silver Surfer, and the Fantastic Four know this is bad news, because the sworn-never-to-interfere Watcher shows up to warn them. Marvel's first truly epic storyline.


The Kree-Skrull War, Avengers, 1971-72 (Roy Thomas, Sal Buscema, and Neil Adams)
Also introduced in the pages of the FF, the Kree were the great space power of the galaxy, with the Earth considered too remote to interest them. That changed when the Kree's centuries-old conflict with the Skrull Empire spread to the Earth's solar system. The Avengers were drawn, via their ally, Captain Mar-Vell, into the war, and fought to prevent the Earth itself being an innocent bystander of the battle.


The Thanos War, Strange Tales, Avengers and Marvel Two-In-One, 1977 (Jim Starlin)
The mad god, Thanos, had been lurking on the fringes of the Marvel Universe for a few years, and had even gotten hold of a Cosmic Cube once, but this was his big play for universal domination. Obsessed with death, Thanos had obtained the Infinity Gems, which he intended to use to destroy the universe. The Avengers, Captain Marvel, and Adam Warlock would stand against him, and one of them would not be walking away from this battle.


The Phoenix Saga, X-Men, 1977 (Chris Claremont, Dave Cockrum, and John Byrne)
This was the X-Men's first big space adventure, in which Professor X's latest floozy, Princess Lilandra, was kidnapped by her insane brother, the Shi'ar Emperor, D'ken, and the team went to rescue her. Notable for the first appearance of the Starjammers, and the first time Jean Grey was allowed to unleash the power of the Phoenix, this also saw the introduction of the Shi'ar as the other great star empire, one powerful enough to give even the Kree pause in their expansionism.


The Trial Of Galactus, Fantastic Four, 1983-84 (John Byrne)
After being saved from certain death by Mr Fantastic, Galactus finds the Skrull homeworld, and eats it. As well as incurring Reed Richards the displeasure of pretty much every sentient being in the universe, this throws out the balance of power in the galaxy, crippling the Skrull Empire, and setting the stage for...


Operation: Galactic Storm, various Avengers books, 1992 (Bob Harras, Steve Epting, Roy and Dann Thomas, Dave Ross, Mark Gruenwald, Rik Levins, Greg Capullo, Gerard Jones and Jeff Johnson)
In which the Kree and Shi'ar Empires go to war, with the Avengers stuck in the middle. Condemned at the time as a cheap attempt to cash in on Operation: Desert Storm (why, and how, anyone would "cash in" on a war is a bit of a puzzler, I have to say), O:GS is notable for the uncompromising attitude of some of the Avengers, an attitude for which the editorial staff have to be commended: no bottling the tough issues here. Of course, this uncompromising attitude is probably where the current "dickish" Iron Man comes from, so it's not all good...


The Troyjan War, Incredible Hulk, 1994 (Peter David and Gary Frank)
Maybe Peter David was hoping to create the next big alien race, or maybe he was just looking for a villain who could give the Hulk a run for his money. Either way, this wasn't the most successful launch, since the Troyjans haven't (to the best of my knowledge) showed up anywhere since the Hulk led his then-allies, the Pantheon, against the Troyjans and their warlord, Arm’chedon (Armageddon, get it?). However, there's a lot going on in this serial, with appearances by both the Silver Surfer and the Starjammers, not to mention a battle royal between the Hulk and the Troyjan's champion, Trauma. Great stuff.


Maximum Security, various titles, 2001 (Kurt Busiek and Jerry Ordway)
One of the wackier storylines of recent years, Maximum Security saw various alien governments, led by the Shi'ar, turn Earth into an impromtuo penal colony and exile their worst criminals there. The prisoners, regretably, include Ego, the Living Planet, who proceeds to try to take over the world. Bizarre, but great fun, which is all you can ask for in a comic, particularly a 21st century comic...


Fall And Rise Of The Shi'ar Empire, Uncanny X-Men, 2006-07 (Ed Brubaker, Billy Tan, and Clayton Henry)
In which Havok pursues his long-lost brother, Vulcan, into deep space, to try to stop him from taking his revenge on the Shi'ar for killing their mother. Another run which disrupts the balance of power in the galaxy, with Vulcan declaring himself Shi'ar emperor and threatening to cause chaos. Mind you, perhaps the Shi'ar can count themselves lucky; after all, they at least managed to avoid...


Annihilation, 2006-07 (Keith Giffen and Andrea Divito)
A dark power strikes in the galaxy, sparking an interstellar war, which sees the Skrull Empire crushed, the Kree severely weakened, and the Silver Surfer once again swearing loyalty to Galactus. Just about every one of Marvel's cosmic powers showed up in this maxi-series, a title which has done more to open up the expanded Marvel Universe than pretty much anything else in the past forty years.


War of Kings, 2009 (Dan Abnett, Andy Lanning, and Paul Pelletier)
Abnett and Lanning have been building on Annihilation for some time now. They used that title as an opportunity to bring Nova back in his own title. They wrote the sequel, Conquest, in which the Phalanx, a long-forgotten X-Men foe, conquer the Kree, and they used that story to launch their own version of the Guardians of the Galaxy, a book which has made a star of a talking raccoon. Finally, they had the Kree, now led by Black Bolt and the Inhumans, go to war with the Vulcan-led Shi'ar, bringing together pretty much all the cosmic events of the past few years. Since Marvel seem to have worked out that there's money to be made out of these cosmic events, expect Abnett and Lanning, and others, to continue mining this seam for some time to come.

(This post mostly recycled from an earlier post on my other blog.)

70 Years of Marvel - 1963

By 1963, Marvel was promoting the Human Torch as its breakout character, giving him his own spotlight title, Strange Tales, a holdover from the pre-superhero horror days, in which Johnny Storm fought such terrors as the Plantman - who would be lame in one form or another for the next. Eventually, Stan would work out that all the cool kids wanted to be the Thing, but for now, the Torch was the most over-exposed character in Marvel's books.

1963 would also see the first appearance of Iron Man, Nick Fury (in both his WW2 and 60s incarnations!), the Wasp, the Avengers, Dr Strange, and the Uncanny X-Men. Yowza!

1963, of course, also saw the death of JFK, and the first episode of Doctor Who, two events which would shape the remainder of the 20th century. Liz Taylor and Richard Burton were playing Anthony and Cleopatra, whilst Steve McQueen was practicing bike skills in the Great Escape. Meanwhile, Peter Sellers was stealing the show in the Pink Panther.

The Human Torch Meets ... Captain America

Strange Tales #114, November 1963.
(By Lee, Kirby, and Ayers)

So, I know what you're thinking: "Wasn't Captain America defrosted by the Avengers in Avengers #4, a few months after this issue was released? So who's this joker?" Who indeed...

Our tale begins as the Human Torch's daily workout is interrupted by some of his college pals. No, I don't know what happened to his secret identity from a couple of issues back either.


Naturally, Johnny Storm is a big fan of Captain America, having read comic books about his adventures when he was a kid. Thankfully, this was in the days before we had a rolling timeline. These days, I guess Johnny would have been read antique comics by his great-great grandfather or something.

Anyway, at the antique car fair, trouble erupts in the form of a couple of ne'er-do-wells who pinch a racing car and race off. The Torch sets off after them, but he's not alone.


The two heroes stop the crooks' getaway, but fall to arguing amongst themselves.


Fortunately, the cops show up to catch the villains. The Torch goes off in a sulk, whilst Captain America takes the credit, the cad! Heading home to meet his girlfriend, the two argue over the merit of the returned hero, with "hilarious" results:


Meanwhile, Captain America is back, and it looks like he's a bad 'un...



While the escaped cons draw the attention of the police, the villainous Cap is robbing the local bank. How very... mundane.


Wait a minute, did he just say "sky-platform"?


Holy crap, he did! This costumed criminal has built or bought some sort of Kirbytech helicopter thing, in order to steal a sack of swag from a crappy little town in upstate New York? Does Lee's plot just get really vague at this point, leaving Kirby to fill in the blanks, or was Kirby making it up as he went along, leaving Lee to try and make some sense of it all?

Anyway, let's plough on, shall we? After parachuting to safety from his Kirbycopter, "Cap" escapes in a truck, pursued by the Torch, who's in for a surprise...


I mean, seriously, what? How organised is this guy? Were asbestos-lined trucks just lying around New York back in the 60s? Or was there a supplier of superhero-inconveniencing traps, based on 5th Avenue, back in those days?

Naturally, the Torch escapes his fate, and captures the Cap impersonator, who turns out to be an old foe of the Torch's, the Acrobat, an incredibly minor villain making, justifiably, his last appearance. Presumably he was kneecapped by whomoever was dumb enough to lend him the Kirbycopter. And the point of this story?


I guess we all know what response that appeal met with. "Hey, assholes! Captain America wears BLUE shorts!"

Master Of Black Magic!

Strange Tales #110, July 1963
(By Lee and Ditko, or Ditko and Lee, if you prefer.)

Today we look at the first appearance of Dr Stephen Strange, from when he was merely the star of a backup strip in Strange Tales, the Human Torch's feature-title.

As you see from the picture above, this is an unusual origin, in that it's not being drawn by Jack Kirby. Instead, the quiet man of Marvel Comics, Steve Ditko, who would conjure up some of his (and Marvel's as whole) weirdest stuff for this title, once Dr Strange gained co-star status. But for now, this is a simple five page strip, in which the good Doctor helps a man get over some bad dreams.

There's some lovely noir art going on here:


Yes, kids, that man there is smoking. Were this the eighties, that would indicate this man is a wrong'un. Were it being published today, the cigarette would have been clumsily whited out, cos Joe Quesada hates smoking. But, this being the sixties, there is no hidden message, no subtext, nothing.

Anyway, Dr Strange decides to pop into his client's dream and check out what's what. To achieve this, though, the Doctor must first pay a visit to his master, the (currently unnamed) Ancient One. It's astral time!


Bit of foreshadowing then from the old boy, you see? Also, a subtle hint for how this adventure will wrap up.

Dropping into a trance, Dr Strange enters the mind of his client, where he meets a sinister chained man...


But wait, that's not all! Not only does this tale see the first appearance of the master of the mystic arts, but it also features the premiere appearance of the master of evil dreams, Nightmare! Here he is, folks!


Believe it or not, Nightmare will never again be so scary as he is now. And over the years, he'll put in a lot of appearances, most of them lame.

So, whilst Dr Strange is astrally arguing with Nightmare, his client wakes up, realises that the Doc has learned his dark secret, and decides to kill him. God bless America and its easily obtained handguns..!

Facing certain death, and unable to dodge past the oh-so-scary Nightmare, Dr Strange cries like a girl to his master, who decides to intervene.


Returning to his body (leaving Nightmare cursing him in true Scooby-Doo fashion), the Doctor has a quiet word with his somewhat ungrateful client.


And there you have it. No origin story yet, that wouldn't come along until 1968, when Roy Thomas would deliver Strange's origin, but in five pages, Stan and Steve pretty much tell us everything we need to know about our hero.

The Human Torch!

Strange Tales #101, October 1962
(Stan Lee, Larry Lieber and Jack Kirby)

(Yes, folks, Jack Kirby handles the artistic chores here, which, with him also illustrating Fantastic Four, Journey Into Mystery, Hulk, and the ongoing adventures of Ant-Man in Tales to Astonish, takes him up to 5 titles a month. Phew.)

Back in the earliest days of the FF, before the Thing built up his cult of personality, the Human Torch was regarded as the most popular member of the team. As a teenager, he was most likely to appeal to the young readership, so he was awarded his own title (or at least a share of his own title, as he had to share with various anthology strips).

For the purposes of this series, the Human Torch has taken up residence in Glenville, somewhere in New York State. Bizarelly, despite being a member of the most famous super-hero team in the world, he has a secret identity.


Apparently, the good people of Glenville aren't all that smart, then. Anyway, whilst he gets to battle the Sub-Mariner and Doctor Doom on a regualar basis in FF, here he has to make do with villains like the Destroyer, who may sound like a serious threat, but, well, you'll see.


Yes, the Destroyer is a serious threat. To theme parks. Scary stuff. The Destroyer stages a serious of incidents at the new amusement fayre, which the Torch must stop, without compromising his secret identity.


After his first couple of attempts are thwarted by the Torch, the Destroyer gets mad, and challenges the Torch to battle. This catches the attention of the Torch's team-mate, the Thing, who shows up to help. So much for protecting his secret identity.


Johnny Storm's no chicken, though, and he tells the Thing to sling his hook, so that he can take on the Destroyer himself. In a rare example of intelligence, the Torch decides to investigate why the fayre is being targeted, and discovers...


Yes, the red menace has come to upstate New York. Kids in the 60s must have been convinced there was a communist hiding behind every corner, if these comics had any influence on them. Of course, there was generally an evil alien hiding behind every other corner...

Anyway, the Torch makes short work of the Soviet submarine, and quickly tracks down the Destroyer, who turns out to be -


It's all a bit Scooby-Doo, isn't it?